Alicia I love this movie so much

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

n68188 This movie left me severely impressed. Most war films, particularly those intended to be viewed as a deep form of art tend to be much more shallow (Perhaps it has something to do with a lack of first hand military experience among film makers in the US.) Often the writers and directors are simply trying to support an anti war thesis by illustrating suffering, injustice and cruelty. But anyone can illustrate suffering, injustice and cruelty in a generic way and then squeeze it into an ill fitting war context. What impressed me about Bertrand's work is that he didn't do this. There were no shallow caricatures and he did not spoon feed the audience with anti war propaganda. Bertrand instead, tried to paint an accurate picture of some very complicated events and circumstances, and the equally complicated people who are trying to deal with them. The suffering, injustice and cruelty are there, but the audience must find these elements for themselves.

nicver This film is about how the military experience can transform a person, and no, it's not about the army making men out of boys.Conan leads a group of trench cleaners, who, in reality, were thugs and pathological killers who enjoyed butchering their enemies after infiltrating their lines at night.Problems emerge when the war is over, but some of these men cannot deal with their wartime homicidal pathologies and keep doing what they were trained for and mount a heist which results in killings.Conan then has to choose between his camaraderie for his men and his responsibilities as an army officer.This film has many originalities, especially in its war scenes and, I must admit, the whole thing is entertaining.It's lengthy at times, but Torreton gives a great performance and really deserved the Cesar for best leading role that he got that year.It is, in my knowledge, the only film which treats of that very particular post-World War I episode, when the "Reds" tried to invade Bulgaria and the French came to stop the expansion of what was not yet know as the Soviet block.

Aw-komon Tavernier is probably the greatest film artist working in the world today. With Capitaine Conan, he accomplished what all the New-Wave directors dreamed about but never quite got the chance to do (except maybe for Bertolucci on The Last Emperor, if you want to consider him part of the original new-wave): to make a high-budget film with thousands of extras and elaborate, detailed sets which completely conforms to their vision and stays uncompromised, an auteurist epic. Well, how's this for uncompromised: Most of the shots in this film are made using only available light or the light that would be available given the circumstances of the scene! As a result, the film looks uniquely dark and authentic, as if it was shot in 1918 when the events took place. This takes some getting used to, and of course, people conditioned to being spoon fed every scene lit up like a christmas tree will be disoriented, but the shadowy effects achieved far outweigh the negatives. Some of the shots are kept in total darkness (as they would be in real life) with barely a face showing to indicate who's talking to who! Then the people gradually come out of the darkness into different shades of light, each more nuanced than the other. The cinematography and art direction are breathtaking; there isn't a single shot in the entire film that couldn't be called a masterpiece of its own, perfectly framed, perfectly composed and perfectly moved. Tavernier rarely uses a shot-reverse-shot preferring complex camera movement or long uninterrupted takes capturing the scenes from different angles without a cut. The scenes themselves, however, don't drag on forever, they are compact and to the point, making a Tavernier film usually one where a lot of things happen very fast and in order to pick up all the details and nuances, many viewings are essential. The acting from the awesome leads of Thoreton (a richly deserved Cesar award for best actor), Le Bihan, and Le Coque, down to the smallest bit player is uniformly brilliant. No American film I've ever seen has acting on this high a naturalistic level.The film is mainly about the thin and precariously balanced area called 'amorality' that some people have a knack for staying within, racking up only enough whites (good deeds) and blacks (bad deeds)to stay mostly in the perfectly shaded middle gray. In a war-time situation the people who have this knack tend to do very well for themselves. Conan, a tough special forces officer whose group makes sneak attacks on the enemy and kills at knife-point, is that perfect 'amoral' character or for lack of a better term people have come to call an 'anti-hero', i.e., that guy who sometimes does 'bad' or 'evil' things, but integrates this within a higher integrity that's essentialy 'good' and admirable. His friend, Lt. Norbert is the more traditionally 'moral' man who comes to admire the guts it takes for Conan to operate rather openly in that precarious zone against all the hypocrisies of his superiors (which keep them protected). When Conan comes to defend a few of his men who have clearly gone over the line and committed atrocities which must be punished, Norbert, given the job of prosecuting the men, makes his position clear and breaks with him. All through the film he tries to become more like Conan and yet stays wary of the line that Conan could easily cross into madness and fanaticism. What draws Conan and Norbert together is their common integrity against the hypocrisies of society, as opposed to Lt. DeSceve, the other main character, who's an honorable soldier and strong man, but who kisses-up to the top brass and has a fascist attitude.This film never got the distribution it should have in the U.S. simply because it was a subtitled foreign film and Americans have practically stopped watching foreign films! What a damn shame! They missed the greatest film of the '90s! I would conjecture that not 1 out of a 100 people who've seen Spielberg's melodramatic "Saving Private Ryan" have even heard of "Capitaine Conan." Catch it on the Sundance channel on cable or rent it on video and experience a true masterpiece. Then watch it again and again and experience deja-vu.

minnow-6 "Captain Conan (Capitaine Conan)' ***1/2. (1996, France, Not Rated, 129 min Directed Bertrand Tavernier with Philippe Torreton, Samuel Lebihan, Bernard Le Coq). History on the cusp of any war is most often overlooked. How many of us have or take the opportunity to study or learn about the United States during the 1760s or 1870s? When did you last read about Europe in 1900, 1920, 1932 or 1946? `Capitaine Conan' is a movie about men on the cusp, at the end of World War I. For this alone, `Capitaine Conan' is a movie worth seeing. For more than a year after the Armistice, over 100,000 French troops fought in Eastern Europe.`Capitaine Conan' opens on the battlefront in Bulgaria. Conan (Torreton) is the leader of a guerrilla troop that fights behind enemy lines. They live off the land, fighting where the rules of engagement are brutally one on one. Conan tells his friend Norbett (Lebihan) `…3000 men like me won the war. Anyone can kill at a distance, but only a few learn to kill with the knife, eye to eye. It took all the millions of soldiers like you to fight the war, but it took the few like myself to win it.' But when the Armistice is announced Conan's men are thrust back into the civilized world, a world of army regulations, boredom, and restrictions. Conan's guerrillas aren't easily tamed. There's a robbery and murder at the nightclub. Conan's men are the primary suspects. But before there is any resolution in the military court, the French troops are called to fight the Bolsheviks on the border of the newly formed Soviet Union. The Bolsheviks attack the French and Conan leads his men into the battle. As the scene fades they are running into the reeds and rushes of a huge river delta.The movie ends with Conan and Norbett meeting some years later. Conan is dying. Their discussion is unsettling and doesn't resolve any of the unanswered questions about how the war ended. I've watched the movie twice and the ending still seems out of place. But then maybe wars and history don't end. Maybe history is a continuum and life on the cusp between events is more difficult to define and understand than the events themselves. Maybe this is why most history is about events and less so about the life and lives around the events.If you're put of by the thought that `Capitaine Conan' is nothing more than a history lesson, be not afraid. The acting, direction, and photography are very well done. One of the most interesting features of this production is the hand held camera work during the battle scenes. The camera moves through the battle like another pair of eyes often distracted by an explosion, an obstruction or a scream. The camera flinches as it makes its way though the mud and the muck of the battle. The staging of a battle in the hills of Bulgaria is up to the standards of the battle scenes in `Patton.'`Capitaine Conan' is a very good movie, one of the best of 1996. It's out on video, I recommend you see it.