Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

slightlymad22 continuing my plan to watch every Sly Stallone movie in his filmography in order, I come to Cannonball aka CarquakePlot In A Paragraph: Based on an actual event, the Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, organised by Brock Yates to protest the 55 mph speed limit then in effect in the U.S. Does that plus sound familiar?? Of course it does, it's also the plot to "Cannonball Run" the Burt Reynolds movie which was considerably more successful than this one.This must been a frustrating time for Sly, as he had decent parts in "Capone" and "Death Race 2000" before a non speaking part in "Farewell My Lovely" whilst here he has one scene with Martin Scorsese and another character, where they sit eating Kentucky Fried Chicken and he is is uncredited in a movie where 'reporter at finish line gets a credit'.Thankfully this was the last time this happened, as he struck gold with his next movie. A little movie about a boxer from Philadelphia.

Coventry Here's yet another reason to accentuate the 1970's was the absolute greatest decade for cult-trash cinema output (as if we weren't convinced enough already): Carsploitation movies! There are only a handful of them, they all look alike and most film-loving audiences will probably detest them, but … damn, are they ever entertaining! "Cannonball!" – although I must say I prefer the much cheesier video title "Carquake" – is brought to us by the same team that made the brilliant and unequaled "Death Race 2000" one year earlier, and it many ways it feels as if writer/director Paul Bartel injected all the silly comedy that he couldn't put in "Death Race" into this film instead. This film is more of a straightforward comedy whereas "Death Race" was a black comedy (apparently not everybody finds the idea of wiping pedestrians off the road for points funny). The concept of this film is much simpler: bunch of eccentric people participate in an illegally organized cross-country race from California to New York City. Ex-convict Coy Buckman is obviously the most talented racer, so his competitors will have to revert to ingenious cheating if they want to stand a chance. The main storyline as described here is obviously very simplistic, but one could also claim there are numerous little sub plot story lines that are all terrific and imaginative. The lead character Coy Buckman is already quite intriguing. He dragged his sexy female parole officer along in the race and has a mechanic who idolizes him so much that he literally wants to be Cannonball! Every contestant in the race is worth mentioning, like the obnoxious German in his canary-yellow sport car and the psychopathic Redman and his country-singing and guitar-playing co-pilot. Outside the race there's quite a lot going on as well, like Coy's sleazy brother Bennie trying to sabotage the most important rivals because he bet a huge some of money on the winner. Although the comical ambiance definitely overrules, "Cannonball!" nevertheless remains a bona fide action/spectacle movie with copious crashes, macho showdowns, explosions and violent painful deaths. The climax, which features a mass accident with cars piling up seemingly forever, exactly demonstrates the blending of humor and action. The cast is full of pleasingly familiar faces, especially if you know a thing or two about B-movies. Apart from the brothers Carradine (David and Robert), there's Mary Woronov, Dick Miller, Carl Gottlieb and director Paul Bartel himself (in a hilarious role). Buckle up for some sheer cult-excitement!

bensonmum2 The basic premise of Cannonball has been done several times - a diverse group of drivers compete in a cross-country race where anything goes. Sound familiar? Hal Nedham ripped the guts out of Cannonball for his Cannonball Run made five years later. The difference, though, is that while Cannonball is often funny with some great action, Cannonball Run is often too over-the-top and unwatchable. It's too bad that Bartel's movie isn't as well known as Nedham's. While it will never be confused with Citizen Kane, Cannonball is a thrill-a-minute, cheese-filled good time.Bartel's direction is one of the highlights of the movie. You would think that a 90+ minute movie of watching cars race might get boring. It's not. Bartel keeps things moving and there's never a dull moment. Bartel does a great job of mixing race action, comedy, fight scenes, and a little drama to create a well-balanced, enjoyable movie.As far as acting goes, David Carradine naturally stands out. He's a car driving, butt kicking machine. Carradine is able to add a little authenticity to the movie by doing a lot of his own driving. There are a couple of spinouts where you can actually see that it's Carradine sitting behind the wheel.My biggest complaint with Cannonball involves the spectacular pile-up at the end of the movie. It gets off to a good start with cars plowing into each other followed by explosion after explosion. The problem is that it goes on for so long that it started to have a morbid feel to it. It bothered me that, as a viewer, I could only assume that there were people supposedly driving those cars that were bursting into flames and I didn't see any survivors. I can only assume that everyone was burned to a crisp. Sure it's a little picky, but it bothered me.

gridoon Director Paul Baurtel's follow-up to his cult hit "Death Race 2000" was this pretty awful little action picture that has all the amateurishness of the previous film but about half the budget - which wasn't so high to begin with! It's a crummy-looking, unfunny, unexciting film, but at least it has some beautiful women and some fast cars..... (*1/2)