Camille Claudel

1989
7.3| 2h55m| R| en| More Info
Released: 21 December 1989 Released
Producted By: Gaumont
Country: France
Budget: 0
Revenue: 0
Official Website:
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The life of Camille Claudel, a French sculptor who becomes the apprentice of Auguste Rodin and later his lover. Her passion for her art and Rodin drive her further away from reason and rationality.

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Director

Bruno Nuytten

Production Companies

Gaumont

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Camille Claudel Audience Reviews

Ameriatch One of the best films i have seen
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
SnoopyStyle It's 1885. Camille Claudel (Isabelle Adjani) is a French sculptor and sister of writer Paul Claudel. Famed sculptor Auguste Rodin (Gérard Depardieu) is taken with her work and hires her as an assistant. She becomes both his mistress and protégé. There is prejudice against woman sculptors. The complicated relationship and professional difficulties cause Camille to descend into madness.Isabelle Adjani is terrific. Her performance is compelling and so is Depardieu. I really like the actors doing their sculpting. I like the obsessive nature of the art work. The plot lacks a certain intensity. It would be helpful to foreshadow her madness earlier in the movie or else the romance caused her mental issues. That's very old fashion melodrama. The running time is also a bit long at almost three hours.
ferdinand1932 While the design and locations and photography are strong assets in this film; it is a turgid and melodramatic affair which demonstrates the limits of cinema to convey truth.The case is the use of the soundtrack music: a mix of Gustav Mahler and Andrew Lloyd-Webber that plays constantly and loudly, and would have made Max Steiner grimace at its over use as it instructs the audience how difficult; how ecstatic; how tortured it is to be an artist. And then it really counts the story elides the details at the end.This heightened and kitsch exploitation of emotions was once well ridiculed by Peter Ackroyd about a Yukio Mishima book: This is not writing, this is Barbara Cartland. Precisely the same critique can be made of this film: a deceptive, mawkish vanity project.
saucyjack1968 This film is beyond beautiful and beyond heartbreaking. After 19 years, it still tears the heart right out of me. I first saw "Camille Claudel" while it was on it's Oscar campaign in 1990 for "Best Foreign Film" and "Best Actress - Isabelle Adjani". I hadn't really begun to appreciate foreign film yet so I had no idea what to expect. What I saw was an angel beyond description giving one of the greatest acting performances I had EVER seen, still to this day. This film is heart-wrenching in it's beauty and romantic tragedy. In fact it makes art of it. I went back to the theater to watch it six times, I even dragged friends along. Yes the film was brilliant, but what I went back to see was perhaps the most beautiful woman I've ever seen on the big screen. Isabelle Adjani's beauty in this film is breath-taking and her performance is one of the most intense and deeply moving in history. I have this film on VHS and DVD. I still love to watch it.
Andy (film-critic) This is a very slow and very methodical film that will defiantly put you to sleep before it sparks any insightful conversation. Skip it at all costs. Please, for the safety of others, do not watch this film. If by sheer chance you do pick up this film and you have not realized it, call HAZMAT immediately. Let them know that you have seen or are holding this film and you will need an amputation immediately. Keep your hand in cool water, and wait with a bottle of anything until the paramedics arrive. I promise, it will be all over soon!Grade: * out of *****