Interesteg What makes it different from others?

ManiakJiggy This is How Movies Should Be Made

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Chrysanthepop A little slow moving perhaps (even though it's a small film) but for me 'Camilla' was worth the watch for Jessica Tandy who delivers a beautiful final performance. Deepa Mehta's execution is quite alright though perhaps she would have benefited more with more finance. She does use a lot of detailed references, for instance a painting of artist Frida Kahlo at Frida's apartment (hinting on the association between both women). I liked how Tandy's character was introduced and how Fonda's Freda is both intrigued and amused by this enigmatic but lovely older lady and eventually they head on a journey searching for the same thing, that thing which everyone searches. The scenes between Fonda and Tandy are both fun and moving to watch. Fonda holds her own. The score is gentle and of course Brahm's piece is almost always a good listen. Overall, for me it was a good enough watch for a quiet tired evening.

Charles Herold (cherold) This is one of those movies that should work and almost does. The cast is good, it's generally the sort of thing I should really like, but it all just feels a little too artificial. Yes, movies like this are inherently artificial, but sometimes the writer and director's sincerity makes it feel real. Here, you can see all the seams showing in the fabric; the movie has the contrived sense of a film with a very specific series of talking points it wants to present. There are occasional moments of insight and sparks of imagination, but for the most part there is a real been there done that quality to the whole thing. A decent enough movie, but nothing special.

MartinHafer This is a rather silly, inconsistent and unconvincing piece of fluff. And yet, despite this, it is still very watchable and interesting.The plot, is quite convoluted and ever-changing. In fact, it's really secondary at best in the film. Because of this, I really want to explore the acting and writing and direction. This was Jessica Tandy's last film and she shows amazing vigor for a woman in the last months of her life. Her character is silly, but she infuses it with a lot of sentimentality and charm--and you can't help but like her. I also like her son as well as some of the VERY quirky characters you meet along the way. Graham Greene is perhaps the most charming car thief and nut-case, and the Indian-born small town sheriff is really pretty funny (though difficult to believe in rural Georgia). As for Bridget Fonda, she is okay in the film, but is clearly upstaged by Tandy.The journey, as handled by director Mehta, is slow and gorgeously framed. I have loved all the other movies I've so far seen from this director and look forward to seeing more. Even when the material is weak, her skill is quite evident.By the way, as I mentioned, the plot is a silly and muddled thing. Early in the film, Fonda says she no longer eats beef as she feels sorry for the poor cows and Tandy states that she NEVER eats meat. Later, they are sitting in a restaurant chowing down on cheeseburgers--sloppy touches like this are unforgivable for the writers.

TxMike This was Jessica Tandy's last movie, and even as an 80-something was lovely and sexy enough to do a nude skinny-dipping scene in the Atlantic off Georgia. Her foil was played by Bridget Fonda, and the main of the story is the two of them taking off to go back to Toronto to hear a Brahms violin concerto while Tandy's son and Fonda's husband are out of town on business. A highlight was a scene near the end when Camilla met up with her old boyfriend, played by her real husband, Hume Cronyn, and there is something very special seeing two actors who have been married for over 50 years do a romantic scene. Critic Ebert has a fairly accurate review, but I believe is overly harsh in his analysis of it being too contrived. The film was meant to be funny, with Camilla making up these grand stories and her flustered son trying to find out where she had run off to. All she wanted was to get back to her old Russian boyfriend. I would recommned this film to anyone who likes a "character" film. It felt more like they were allowing us, the audience, to enter in and become a part of their lives.