Dorathen Better Late Then Never

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Yash Wade Close shines in drama with strong language, adult themes.

OllieSuave-007 This cartoon kinds of reminds of of a later Disney cartoon, Donald Duck's The Riveter. Mickey tries to save Minnie in this one from Peg Leg Pete at a highrise construction site. Plenty of action, adventures and some slapstick moments. Not a bad earlier Mickey cartoon. Grade B

TheLittleSongbird Building a Building is one of my favourites regarding the Mickey Mouse cartoons. Again the story is simple and reminded me a lot of Sky Scrappers, but very crisply paced and uplifting. The cartoon is also I feel an important one considering that anybody would do anything to keep their job during the depression even if they were being mistreated. The animation looks great, the part where Pete is falling through all those girders never fails to amaze me, and all the characters are well drawn. The music beautiful and energetic, the action is swift and all the gags are imaginative, my favourite being the one where Minnie puts the hot rivets down Pete's pants. The steam-shovel was also a nice addition, and I loved the bond between Mickey and Minnie, you see it in a lot of their cartoons, but not as thrillingly or as touchingly as Mickey helps Minnie battle Pete in Building a Building. Mickey and Minnie are as endearing as ever, and Pete is a great foil to them. Pluto still looks cute, some may find it odd that he seems to be working for Minnie here, but others like me will be thrilled just to see him. In conclusion, a must-watch. 10/10 Bethany Cox

MartinHafer BUILDING A BUILDING is a Mickey and Minnie Mouse cartoon and is one of the few Mickey cartoons to have been Oscar nominated. The earliest cartoons in the series were not eligible for the award, as it wasn't created until the 1932 Oscars--several years after the first Mickey cartoon, PLANE CRAZY (1928). And, oddly, the wonderful full-color Mickey cartoons of the mid to late 30s were ignored by the committee in favor of Silly Symponies cartoons by Disney. It's a shame as he was a great character, as were Goofy and Donald. I guess this sort of cartoon for the masses wasn't deemed artsy enough to merit nomination.BUILDING A BUILDING finds Mickey working at a construction site. When Minnie comes to the place selling box lunches, Mickey goes ga-ga and pays little attention to what he's doing, but being a cartoon he naturally isn't killed. A bit later, the boss, Pegleg Pete, sees Minnie and kidnaps her. So it's up to Mickey to rescue his sweetie. I liked how as Mickey fought this huge bully, Minnie didn't just stand there passively (like you see in so many films)--no wonder Mickey was in love! The cartoon has a bit more singing than usual and because of this, the humor is a bit less pronounced than a typical Mickey Mouse cartoon. Overall, it's pretty ordinary for the franchise--with the typical finely drawn animation and backgrounds as well as very charming characters.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Mickey is busy BUILDING A BUILDING...until he's distracted by Miss Minnie, who has arrived to sell her box lunches.With a definite nod to Harold Lloyd, this very funny little black & white film had enough laughs and thrills to earn it an Academy Award nomination. Pegleg Pete is suitably black-hearted as Mickey's boss; Pluto has a cameo as the means of locomotion for Minnie's lunch cart. For the record, Minnie's box lunches contain baloney, macaroni and a huckleberry pie, plus corn on the cob, all for only 15¢. Walt Disney provided Mickey with his squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.