Linbeymusol Wonderful character development!

Protraph Lack of good storyline.

Comwayon A Disappointing Continuation

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

imwritgill-86874 This is really not much of a movie. The only reason its remembered today is the debut of JOHN WAYNE as a extra. Still it is a OK movie and recommended by me to watch. Some people like silent movies, me I watched maybe a hundred in my life. This movie contains John Wayne as a uncredited extra. I may have watched about 10,000 movies in my time. Maybe more, since I am disabled and all the time the watch them now. Still this is a pretty good movie and I will watch it again if I ever get the chance. As said watch for future superstar john duke Wayne as a extra and then enjoy this movie. I am giving it a 6 rating and only because of John Wayne.

broadway_melody_girl as to why this film has such a high rating on the IMDb. Sure, it's okay but it's not all as great as it's cracked up to be. At it's very best, BROWN OF HARVARD is a 7. It's about a college freshman, Tom Brown (William Haines) and his life Harvard. The movie was dragging a bit for a while, but it really picked up in the last 40-30 minutes. Jack Pickford was pretty good as William's nerdy best friend/sidekick, considering he was supposed to be a real ladies' man/ ne'er do well in real life. Mary Brian was fine as the girl Haines falls for. I think the script of Brown of Harvard could've been more interesting. The characters do not do much. William tries out for sports and hits on girls. Jack just good-naturedly listens to anything Haines has to say. Mary Brian stands around for most of the film smiling and occasionally looks slightly indignant. She hardly gets angry when William drops all her groceries on purpose, and doesn't even pay for replacements. If some fresh guy wrecked my groceries that I paid for and didn't even pay for them after he wrecked them I would be very angry, no matter how smooth and handsome he (thinks) he is. And for a while, William Haines' character seemed a bit annoying to me, and came across as a little too self-confident to me. But after a while you can see that the overflowing self-confidence is just something his character uses to hide his weaknesses. Haines was very good. If you are a William Haines fan then Brown of Harvard is really worth seeing. If you are looking for a worthwhile silent college flick I say skip this one for now and watch THE PLASTIC AGE (1924).

drednm One of the biggest hits of 1926, Brown of Harvard is a exciting comedy/drama featuring regatta and football scenes that gave William Haines the role he needed to become a major star. It's patented Haines all the way: brash smart aleck who takes nothing serious until he is rejected by everyone wises up and becomes a man/hero and wins the girl. No one worked this formula like Haines. A terrific comic actor (Little Annie Rooney with Mary Pickford, Show People with Marion Davies), Haines could swing from comedy to tragedy with a change in facial expression. He is a total joy in this film as he was in Tell It to the Marines (with Lon Chaney) and West Point (with Joan Crawford), where he repeats the formula. Mary Brian is good as the girl, Jack Pickford is very good as the sickly roommate, Ralph Bushman is the rival. Edward Connelly, Mary Alden, David Torrence, Guinn Williams, and Grady Sutton co-star. This film is noted now for its homoerotic relationship between Haines and Pickford and for being John Wayne's film debut as a Yale football player (but I never spotted him). Haines was a top-five box office star starting with this picture through 1932. It's a shame he has been largely forgotten and that most of his films appear to be lost. He was one of the most appealing and talented actors of his time.

ereilly I found it difficult to watch this film with a critical eye, as I have limited experience with the silents. However, it was interesting to think that I was watching the heart throbs of the time, in one of the most popular movies of the time. The story of the relationship between Brown and his bookish roommate was, uh, interesting, but overall the story seemed so unrealistic (a partying slacker who happens to be accomplished at all sports, mysterious and unnamed life-threatening illnesses) that I wondered how such a storyline was accepted in 1926, or anytime. Tips from anyone who knows how to appreciate or analyze a silent despite the hamminess would be appreciated.