Brief Crossing

2001
6.8| 1h24m| NA| en| More Info
Released: 10 October 2001 Released
Producted By: ARTE France Cinéma
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A young French man and an older English woman spend one night together on a ship.

Genre

Drama, Romance

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Director

Catherine Breillat

Production Companies

ARTE France Cinéma

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Brief Crossing Audience Reviews

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.
Fairaher The film makes a home in your brain and the only cure is to see it again.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Jon 80 minutes, and it felt twice that long! Brief Crossing is not brief enough. Indeed, the first 50 minutes or so consist almost entirely of a dialogue (more of a monologue, really) of a woman approaching middle age, tediously droning about "men," disappointment, sex, aging, and her recent breakup, to a French teenager she met in the ship's cafeteria.The tedious monologue continues as they go to duty-free shop, and to a bar, where finally her self-involved rant pushes him away. The "story" can't end there, of course, so she persuades him to listen to her drone on more as she brings him to her cabin.What little romance, sex, or for that matter, anything at all this film has besides bitter rantings is hardly enough to justify the price of a rental unless you are one of those who love dramas where nothing interesting happens at all. Yes, the ending is very nicely done, but it is scant reward to subject yourself to what amounts to a turning your living room into a virtual therapy session with a narcissistic whiner.Of course, some people like it. I could be wrong.
tedg There are plenty of good writers, at least it seems so. But not very many good filmmakers.Obviously, this is somewhat due to the nature of film-making being a collaborative enterprise that involves large numbers of people. Where it seems to impinge most is in beginnings and endings. Readers need to make only a little adjustment to be coaxed into a different space, and the unwinding or knotting at the end is also easier, though more challenging.Film requires the viewer to make more severe adjustments in entering the world that's fabricated. And very few seem to have been able to figure out endings that work.Put this together and you'll see why we have some filmmakers that have great skills at creating "middles" but are disasters elsewhere. Brelliat is one of these, possibly the most fascinating. Set aside that all her films explore the same space. That's not fatal. When she gets us to where she wants, she can often assemble a tableau that is as effective as anything in film.Very troubling and touching stuff, that. Immediate and emotional. But she takes such a torturous route to set it up and place it in that special zone. Lots of uncinematic talking and preparatory narrative. Then we'll have her sometimes sublime state.And then without fail, we'll have a messy ending. Not well conceived. So she plays the youth card and does something shocking and sometimes violent. It mars that special space of a thousand desired needlepricks she so carefully laces.She knows this. So in this movie, a study really, she focuses on the ending. Everything is designed to give her a real ending, one that sets those needles and leaves them in after you leave the theater. Good for her. This and "Sex is Comedy" shows that she is surrounding her own limitations in public essays. Taken together, they're powerful stuff.The story here is a woman and a boy, and a dance, an episode and then an ending that reveals intentions.This is hard work all of this. You need to know something of her other work, of her life. And of the bankrupt nature of French film-making right now, and the analogies some make with the impossibilities that real love can exist.Also some notion of how we build desire in our lives, the immediate part, out of cinematic components to be eaten as it it were a meal.Yes, it is hard work. And you'll have to live through lots of bad endings. Like life, like love.Ted's Evaluation -- 3 of 3: Worth watching.
George Parker "Brief Crossing" is all about a 30 something woman and a 16 year old boy who meet during a ferry journey across the English channel. As the ferry takes us from La Havre to Portsmouth, the characters meet, shop, drink, dance, have sex, and ultimately part at their destination. Superficially, "Brief Crossing" is not much of a film. It has marginal production value, a cast of two, and a meager story. However, as a relationship film it is finely nuanced with a very natural ebb and flow of conversation, body language, evinced emotion, and human interaction. Not for everyone, this worthy addition to auteur Breillat's resume will be most appreciated by French film devotees. (B-)
raymond-15 These two actors (Sarah Pratt & Gilles Guillain ) previously unknown to me are just brilliant. Occupying the screen for most of the time their film characters are revealed to us through a series of conversations. Casually meeting on an overnight ferry bound for Portsmouth, Thomas a teenager and Alice a married woman exchange shy glances at first as they sit at the same table in the ship's cafeteria.The feelings between the two grow more intimate as the night wears on. Alice finds Thomas so naive and innocent. He acknowledges he hasn't done so well at school but hopes to become a plastic surgeon because women are so concerned about their appearance and there's money in it. Alice is very critical about men in general claiming they are selfish and only have one thing in mind. She says she has just walked out on her husband.It is interesting to watch Thomas trying to look and act older and Alice (letting down her hair ) trying to look younger. Alice is in a seductive mood and uses her womanly experience to snare him into her cabin. Shutting out the world they are now free to act without any inhibitions.All scenes are beautifully handled by the director who is obviously devoted to detail. All scenes are believable. Alice always critical and somewhat cold seems to be constantly in control, while Thomas begins to be carried away by his emotions. To him Alice seems to be more desirable by the minute.Finally there is the disembarkation scene. You think you know how it will all end, do you? Well think again. Life is never simple. Life can have its disappointments.It was my intention to record this film for later viewing but I became so absorbed at the beginning I watched it right through. It is so pleasing to find a film that is so rewarding. Highly recommended.