RyothChatty ridiculous rating

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Claudio Carvalho In Santo Cristo, João (Fabrício Boliveira) is arrested and imprisoned after killing the man that murdered his father. Years later, in the 80's, he is discharged and moves to Brasília to seek out his cousin Pablo (César Troncoso) to find a job. João works as a carpenter, but Pablo that is a drug dealer, offers him some money to deliver marijuana in the upper-class neighborhood. João is surprised by police raid and he flees. When he sees the architecture student Maria Lúcia (Isis Valverde) on her apartment, João climbs the building and she protects him. Soon they fall in love with each other and João decides to leave the crime to live a honest life. But the drug dealer Jeremias (Felipe Abib) that has a crush on Maria Lúcia, and his partner, the corrupt detective Marco Aurélio (Antonio Calloni), begin a war against João and Pablo with tragic consequences. "Faroeste Caboclo" is one of the best (if not the best) Brazilian movies of 2013, with a story that is an adaptation of the lyrics of a song by the Brazilian composer and singer Renato Russo, who died in 1996 at the age of 36. The plot entwines romance, drama and action and is developed in adequate pace. The conclusion recalls the spaghetti western, where everybody dies. Great direction, performances, camera work, lighting, edition and music score make "Faroeste Caboclo" an unforgettable movie. My vote is nine.Title (Brazil): "Faroeste Caboclo" ("Caboclo Western") Note: "Caboclo" is a mixed race of Indian and Caucasian from the countryside of Brazil.

spookybuk This is not at all a good movie. I'm guessing the other reviews come from people involved in the production. I'm also guessing this is a movie from college kids who read two chapters in class and think they understand cinema. Attempts to simulate or reference westerns are phony and "soap- operash". Maybe one or two good shots - but 100 monkeys with a 100 typewriters... and so on...The movie tries and fails. If it hits something during a few seconds, it changes nothing. I felt like watching a bad soap opera, written by a kid who knows nothing of life - with nothing to say - and filmed by a pretentious advertising professional. Lots of sex scenes to see if teenagers will feel something. Not even these sex scenes are fine - seems like the guy wants to be a seller and an artist at the same time. Naturally, he achieves neither.

alexandre michel liberman (tmwest) This is a fascinating film, its qualities so much above its flaws, it places you in Brasilia, a city which was modern, but now looks beautiful in its "fifties" style. Brasilia is also the city of "Legião Urbana" a musical group, whose leader, Renato Russo composed the song on which the film is based upon. A sort of "Django Unchained", a western at heart, but where the outstanding performance of Fabricio Boliveira outshines a similar role played by Jamie Foxx. Boliveira is João, a man doomed from the start, because of social and color discrimination and who will "do what a man gotta do" in a way I am sure Leone would applaud. References to "Winchester 73" and "Duel in the Sun" show us the director and scriptwriter knew their subject. Isis Valverde is a beautiful and human Maria the impossible love of João, and Felibe Abib, the "playboy" of Brasilia, the cruel, tough guy. The cinematography is spectacular,conveying a Brasilia so far unknown to the screen.

wel2005 Faroeste Caboclo is the most beautiful Brazilian movie I saw this year: the images and editing are eye popping and the soundtrack is pretty. René Sampaio, in his first movie, shows an exemplary technical finesse (a young talent from the advertising): the camera work is dynamics and the visual effects are convincing. Fabricio Boliveira, who plays the main character, has has strong stage presence and the new black actor to follow. Being a familiar story, the film did not surprise us - we know what will happen. The impact would be greater if it were not for this "detail". Fans of Renato has the history of Santo Cristo, the character, in their head; René Sampaio made ​​his version competently.