Boulder Dam

1936 "FLOODING THE SCREEN WITH THRILLS!"
6.2| 1h10m| NR| en| More Info
Released: 07 March 1936 Released
Producted By: Warner Bros. Pictures
Country:
Budget: 0
Revenue: 0
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Info

Fate brings a job at Boulder Dam and romance with a saloon singer into the life of a young man on the run.

Genre

Drama, Action

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Director

Frank McDonald

Production Companies

Warner Bros. Pictures

Boulder Dam Videos and Images

Boulder Dam Audience Reviews

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Michael_Elliott Boulder Dam (1936) ** (out of 4) Predictable "B" movie from Warner has Detroit mechanic Rusty Noonan (Ross Alexander) accidentally killing his boss after being fired so he heads off to Colorado to start over. Once there he begins working as a construction guy at Boulder Dam while falling in love with a woman (Patricia Ellis) who befriended him but soon a man (Lyle Talbot) who knew him in Detroit threatens everything. BOULDER DAM is pretty much a by-the-numbers melodrama that doesn't have too much going for it. If you're a film buff you enjoys watching ever rare film that turns up on Turner Classic Movies then I'm sure you'll get some mild entertainment out of this thing but just about everyone else should stay clear. There are many problems with the film and the majority of them are in the screenplay. For starters, the opening few minutes features Rusty coming off as such a jerk that you really have to wait quite a while before you ever warm up to him. Another problem is that if you've ever seen a movie before then you really shouldn't have any problems figuring out what's going to happen long before it ever actual happens. This includes a few twists along the way and of course it never really makes sense why this woman would fall for this guy. And don't even get me started on the ending. Alexander isn't too bad in the lead as he has no trouble playing the jerk but he also doesn't have any issues when the character starts to change. Talbot delivers the fun performance you'd expect to see from him. Ellis actually steals the film with some good comic timing and the way she fights back at Alexander was quite funny. There's a minor action scenes at the very end of the picture, which is okay but all in all only film buffs are going to want to check this one out.
wes-connors Fired from his job, arrogant Detroit mechanic Ross Alexander (as L.B. "Rusty" Noonan) accidentally kills his boss in an ensuing scuffle. Now a "Wanted" man, Mr. Alexander changes his name to "Joe Callahan" and heads west where "Boulder Dam" is nearing completion. Along the way, he gets a lift from curvy blonde Patricia Ellis (as Ann Vangarick). She turns up in Las Vegas as blues singer "Eve La Tour". Alexander moves in with Ms. Ellis' immigrant family of five, and gets a job working on the dam...Alexander and Ellis are mutually attracted, but co-worker Lyle Talbot (as Harry Lacy) threatens to uncover Alexander's secret past. Of course, Mr. Talbot is also interested in Ellis. It's an old story, without much new to spark the plot. However, his studio was successful in presenting Alexander as a leading man, albeit in a role not entirely suitable. The added attraction is some location footage of Boulder Dam (aka "Hoover Dam"). A mishap at the dam's construction site gets a good "special effects" treatment.***** Boulder Dam (3/7/36) Frank McDonald ~ Ross Alexander, Patricia Ellis, Lyle Talbot, Eddie Acuff
dougdoepke The movie's first part is gritty and cynical, the sort of qualities that defined Warner Bros. of the time. Rusty's got a chip on his shoulder and because of that ends up joining thousands of other unemployed guys, except the cops are looking for him on a murder charge. These passages are riveting. At the same time, we don't so much identify with the surly Rusty as we wait to see what happens to him as he hops freights and stays in hobo jungles. A sense of the Depression-era 1930's is vividly conveyed in these scenes.However, once Rusty meets up with Ann (Ellis), the movie settles into a more conventional love story, with construction of Boulder Dam as a background. The construction scenes are pretty well done, a mix of real footage of the dam, plus process shots for the more difficult staging. Also, we see how public works projects of the 30's, like the dam, were used to put lines of men back to work, perhaps a lesson for our own recessionary times.I'd never seen Alexander before. Despite his slender frame, he manages to convey the needed amount of grit and toughness, though his Rusty is not particularly likable, an interesting departure from most movies. But it's really tall, blonde Ellis who impressed me. She projects a lot of no-nonsense personality right out of the Warner Bros. stable of tough dames (Blondell, Farrell, et. al.). Ellis had the talent and looks for bigger things, but mysteriously dropped out of sight at decade's end (IMDB).All in all, the movie remains an interesting little slice of history that deserves more cable showings than it's had.
GUENOT PHILIPPE I will not tell you the topic of this film. Long Horn, as usual, has done it very well, in the plot line.I will just point out that this movie is rare, aired only on TCM, as far as I know, and a good friend of mine took it for me. It has no comment, so I go for it. Well, it's rather entertaining, with no length, fast paced, with no real surprises. I must admit I don't know the actors, only the film maker: the prolific Frank Mac Donald in his early days of career. This makes me think that I would like to watch many of his other items, although I guess Mac Donad had no real trade marks; he just was a yes man, obeying to the orders of the producers. A good specialist, nothing more. A real professional.A rare film that deserves to be discovered.