TrueJoshNight
Truly Dreadful Film
Lollivan
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Calum Hutton
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Asad Almond
A clunky actioner with a handful of cool moments.
blanche-2
BORSALINO & CO. (1974) starred Alain Delon and Ricardo Cucciolla.This is a sequel to the highly acclaimed BORSALINO which apparently is unavailable. Well, if there is one thing I hate it's dubbing. This was dubbed. Delon's voice was too low. The voices always sound disembodied to me.The story takes place in the mid-1930s France, and it concerns a gangland war between the Volpone (Cucciolla) gang and the Roch Siffredi (Delon) gang. Initially, Volpone wins and plans to saturate the country with heroin, but Siffredi carefully works out his revenge.It's a typical Godfather-type film without being the Godfather. Lots of cars crashing, violence, shooting, and a particularly unpleasant final scene. All very macho.On IMDb one of the posters said, "Alain Delon, already past his prime..." Yeah, what a dog. He was a GOD, and with his hair slicked back, evening clothes, and beautifully tailored suits, he looked as if he walked off the pages of Italian Vogue. If your idea of "prime" is 25, that's sad. To each age its own beauty.
Michael Hogg
I have been a fan of Alain Delon for many years, since first seeing his stunning performance as Tom Ripley in Rene Clement's superb Plein Soleil. He's one of the great icons of French cinema.Borsalino was a film that I remembered very fondly; although I hadn't seen it since its first release it has always remained vividly in my memory, and when I saw that Kino had released it on disc I ordered it on line. What I received was this sequel, which I wasn't even aware had been made, however I watched it and was hugely disappointed. If like me you remember the original fondly, then avoid the sequel.According to the distributors the original Borsalino is not available. Ever the optimist, I'll continue to try to track down a copy.
Martin
I don't know weather it's just me, maybe I am used to Tho Godfather or Goodfellas types of crime movie, but I struggled watching this one. Really tried to immerse myself into that but I simply couldn't. Zero intensity, nothing to get excited about, predictable plot, unconvincing performances and all that gangster cliché story of revenge. It is really difficult for me to find any emotion apart from 110 minutes lasting boredom. Delon delivered below average performance and I didn't believe a single line he said. I immediately regretted watching the movie and felt frustrated because the movie gave me absolutely nothing apart from one lesson - to choose the movie more carefully next time.
MARIO GAUCI
Alain Delon, already past his prime, returns to the tried-and-trusted formula of BORSALINO (1970), a fondly-remembered gangster pastiche (which I had watched some time ago, albeit dubbed, and been somewhat underwhelmed by) with a surprisingly mean-spirited but ultimately indifferent follow-up. The film is one of a staggering 9 Delon made with director Deray (the only other one I've seen is LA PISCINE [1969], which I remember liking). However, since I had purchased LE SAMOURAI (1967) while in Hollywood and recently ordered LE CERCLE ROUGE (1970), I thought I might as well give this one a try...Though Delon served also as producer, he delivers a typically blank-faced performance and the film, with no new ideas in either script or direction, is tolerable mainly for its bouts of excessive, almost cartoonish violence. The international cast is reliable but their contribution is pretty ordinary on this occasion: Riccardo Cucciolla in a dual role (!) as Delon's gangleader rival and his twin; Rene' Koldehoff as Cucciolla's heavy-set chief thug; Catherine Rouvel (still looking gorgeous 15 years after swimming in the nude for Jean Renoir in LUNCH ON THE GRASS [1959]) also reprising her role from the original as a high-class prostitute and Delon's old flame, Daniel Ivernel (from Bunuel's DIARY OF A CHAMBERMAID [1964]) as the level-headed Police Commissioner, Alfredo Lastretti (from Jess Franco's VENUS IN FURS [1968]) as one of Delon's lieutenants...plus a blink-and-you'll-miss-it cameo from Anton Diffring (perhaps imposed on the film by its backers, BORSALINO AND CO. being a French/Italian/West German co-production).
