Hellen I like the storyline of this show,it attract me so much

Colibel Terrible acting, screenplay and direction.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Konstantin Belozyorov This artwork can hardly be called the film in our usual sense of the word. It is a revelation. This is a mystery. Something strange and very sad. The perfect combination of story, music and sounds. This is recognition. It's real art. Art of our imagination combined with the narration of the director. Amazing experience! This film must see everyone, who truly loves cinematography. I read reviews about this film on different sites. Many believe that it is not even a movie. But we must understand that any film - it is only a story, it is speaking, which is expressed in the image. All have long drowned in the language. Words are no longer connected with things. This film perfectly reflects this logic. And I like it!

rsp-5 How do u talk about this film. the only way is 2 go against the film maker and get the cd, or if you have the movie, close your eyes and be one with life.Derek jarman is a god 2 me, but listen 2 blue, u will fall in love with the world.at the 1994 Oscars, i waited when they showed the people who we lost, jarman was not there. unforgivable. but then chicago is a better movie than gangs of new york.I love the IMDb, but who has listened 2 blue ?Í place a delphinia, blue, upon ur grave.

shes_dead Blue. Hmmm. Blue, in case you aren't aware by now is a film with no visuals whatsoever, it is simply a blue screen.It amuses me no end that reviewers are stating that blue was a better colour to choose over others. As if it's really clever to use the colour blue as opposed to red, or green, or anything. What on earth are they talking about? It's a blank screen. And besides, how do they know blue is better? Have they sat for 79 minutes in front of screens all the colours of the rainbow and afterwards thought "you know, watching a yellow screen just isn't as satisfying as watching a blue one, I'm giving this film a 10"I noticed a review on IMDb that has stated this film does not even need visuals. What is a film without visuals I ask you? It's a radio play, surely. The fact that this is released as a film but is nothing but a blue screen is just a joke on the audience. However, as with all 'art' there are always people who will take it really seriously and credit such things as innovative, original, new and refreshing.Film is a visual medium. To stare at a blank screen for 79 minutes while listening to narration is entirely pointless. Your eyes need visuals and if nothing is happening in front of them they naturally look somewhere else. To have to force yourself to stare at a blue screen is insanity. Unfortunately I am unable to comprehend why other reviewers state the blue screen is to be appreciated. I would be willing to bet that had an unknown film maker done such a thing it would not get the respect it is getting. Likewise I do not believe said reviewers would stare at a blue wall and wax lyrical about how stunning it is, but should Derek Jarman (were he still alive) come and frame the wall I can imagine they would never be able to stop talking about it.And that is where this film would appear to get its audience - people who would never normally appreciate such things until a respected artist comes along and tells them how wonderful it is.

Ben Nunn Jarman's masterpiece was always going to attract a lazy criticism from the mainstream mindset: pretentious, trendy, self-indulgent etc.But to dismiss it out of hand as no better than a first year art student's project is to fail to appreciate the rich narrative.The coldness of the blue focusses the mind on what Jarman has to tell us, perhaps far better than any other colour would've done. We cannot help but listen, and take in one very gifted man's grim yet positive perspective on gay life, and a slow death through AIDS.Brian Eno's musical score is stark and haunting, with passages of female vocal harmony that are strongly influenced by contempory sacred music from Eastern Europe.Watch this film with an open mind: Force yourself to keep staring into the blue yonder, and it will empower you with a new level of vision and perspective.