Cathardincu Surprisingly incoherent and boring

Konterr Brilliant and touching

Breakinger A Brilliant Conflict

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

JohnHowardReid Penny Singleton (Blondie), Arthur Lake (Dagwood), Larry Simms (Baby Dumpling), Danny Mummert (Alvin Fuddle), Donald Meek (Jonathan Gillis), Donald MacBride (Harvey Morton), Thomas W. Ross (Matthew Dickerson), Elizabeth Dunne (Mrs Dickerson), Robert Wilcox (John Larkin), Harlan Briggs (Holden), Irving Bacon (mailman), Milt Kibbee (creditor), Emmett Vogan (conductor), and "Daisy".Director: FRANK R. STRAYER. Screenplay: Richard Flournoy. Story: Karen DeWolf, Robert Chapin, Richard Flournoy. Based on characters created by Chic Young. Photography: Henry Freulich. Art director: Lionel Banks. Gowns designed by Kalloch. Film editor: Viola Lawrence. Music director: Morris W. Stoloff. Producer: Robert Sparks.Copyright 25 July 1939 by Columbia Pictures Corp. No recorded New York presentation. U.S. release: 20 July 1939. Australian release: late 1939. 7 reels. Original running time variously reported as 61, 68 and 71 minutes. Impossible to check of course, as all present prints run 75 minutes.SYNOPSIS: Blondie saves a friendly resort hotel from bankruptcy.NOTES: Number 3 of the 28-picture series. COMMENT: Dagwood's boss, Mr. Dithers, does not come into this one at all — the film seems to improve by his absence and also by the infusion of new writing talent on the story. Karen DeWolf and Robert Chapin collaborated on the story with screenwriter Richard Flournoy.The plot is stronger and much more entertaining than the first films in the series. Also the film's budget is larger (no doubt as a result of the commercial success of the first films). This is reflected not only in the more painstaking direction by Frank R. Strayer, and better film editing by Viola Lawrence, but in the large number of extras, the spectacular fire sequences, and the large number of sets.

MartinHafer In the space of a little over a decade, a couple dozen Blondie and Dagwood films were made. Obviously, they were very popular B-movies and after having seen quite a few of them I can understand why. They were fun little pictures...with likable characters and stories. Plus, they managed to have the same three actors play their roles...and you get to see Baby Dumpling go from early childhood to his teenage years...something very unique for any series of films.Here in "Blondie Takes a Vacation", the story picks up exactly where it left off in the previous film. The Bumsteads FINALLY get to go on the vacation they were supposed to take in "Blondie Meets the Boss". However, as you'd expect, the family's trip turns out to bring all sorts of surprises. First, on the train they meet up with a very nasty guy. And, when they arrive at their hotel, they find this same guy is the owner...Mr. Morton (Donald McBride...who made a career out of playing grouches!). Morton is a spiteful guy and refuses to honor their reservation and so they are forced to stay in the only other hotel...a place that is practically deserted. Why? Because Morton's been working hard to destroy his competition and stands to cheat these nice people out of their hotel. As a result, Blondie and Dagwood promise to help them try to make a go of it.The best part of the film is how Baby Dumpling manages to do so much to help the good guys...and so much to destroy bad Mr. Morton! I especially liked when Baby met up with that bad kitty! Well written and fun...and well worth your time.

robert-temple-1 This BLONDIE film is full of laughs but mostly takes place away from the Bumstead family home, and J. C. Dithers and the office do not appear in it at all. Most of the film is set beside a lake at a summer holiday hotel. The amazing series of incidents and highly complex twists of plot are every bit as intricate as in the previous film in the series. Daisy the Dog gets more and more endearing, as she learns more and more cute tricks for the camera. At one point she even leaps into the air and flies right past Dagwood and Blondie's heads as if she had been shot out of a cannon. I really don't know how they did that stunt. She also turns backwards somersaults to express her dismay. Baby Dumpling (played by the unforgettable Larry Simms) is getting wiser and wiser as his parents get stupider and stupider, and he sits pontificating like a Taoist sage, expressing his disdain at their childish behaviour and lecturing them about how they should behave. (Remember, he is only four years old!) The results of this are hysterically funny. At the very beginning of the film, he and his friend Alvin from next door exchange ponderous and droll remarks like two old codgers sitting on a porch in the evening chewing their 'baccy', and commenting upon the hopelessness of the world, or I should say at the hopelessness of Dagwood and Blondie, who are in a sense a world of their own, after all. Often in these films, Blondie is the sensible one and it is Dagwood who is the idiot. But in this film, both are idiots. After all, Blondie locks herself in the bedroom when they are supposed to be leaving for holiday and sobs and pouts because Dagwood did not express sufficient enthusiasm for her weird new 'holiday hat'. (To their credit, Daisy raised her ears in horror at the hat and Baby Dumpling did a horrified double-take as if he had become disillusioned in humanity at large.) People who do not know what a skunk is will miss part of the plot of this film. A skunk, for those who do not know, is a small furry black and white animal found in the woods who when disturbed emits a stink so horrible that if one gets in the house you have to burn the carpet and furniture to get rid of the smell. Baby Dumpling does not know what a skunk is, so he plays with them and calls them 'pretty kitties', with malodorous consequences for all. There is a guest appearance in the film of a St. Bernard, and a scene where Baby Dumpling is discovered asleep in the baggage car of the train taking them on holiday with Daisy in his arms and his head resting on the St. Bernard as if it were a huge four-poster bed, all three of them sleeping soundly in an idyllic pose. There is a horrid man in the story, played by Donald MacBride, master of the slow burn, who turns out to be a genuine villain, and it is, you guessed it, not Dagwood or Blondie who gets the best of him, but Baby Dumplng, the four year-old Hercule Poirot of this wonderful comedy. Donald Meek is delightful in a guest appearance character role in the film. The series marches on, and fortunately there are 25 more to go, which means thousands more laughs are on the way. I saw the whole series once years ago, and now am enjoying seeing it again even more than I did the first time. It seems to get funnier with time. That is because it is so genuine, and without affectation. The plots may be incredibly complicated, but the humour is as simple as, well, Dagwood. Really, the Blondie series is a truly great classic series in the history of American situation comedy.

lugonian BLONDIE TAKES A VACATION (Columbia, 1939), the third installment to Chic Young's comic strip characters of the Bumstead family, is a continuation from BLONDIE MEETS THE BOSS which concluded with Mr. Dithers (Jonathan Hale), Dagwood's boss, granting the Bumstead family their long awaited vacation.In this venture, as usual, nothing seems to go right. As they prepare themselves to leave on their vacation, Blondie (Penny Singleton) becomes upset over Dagwood's (Arthur Lake) frightened reaction towards her new hat. Then, on the train bound for Lake Kanoby, Blondie is reading "Old Mother Hubbard" to her son, Baby Dumpling (Larry Simms),while their dog Daisy, hidden away between the luggage, barks whenever she hears the word "Bone." This starts to annoy an irritable passenger (Donald MacBride) sitting close by, to the point of reporting the situation to the conductor, who places Daisy in the baggage car, causing Baby Dumpling to address this mean man as "The Big Bad Wolf." Also on board the train is Jonathan N. Gillis (Donald Meek) a kindly old gentleman who takes an immediate liking to the Bumsteads. Upon their arrival at the Lake Hotel, Blondie and Dagwood are refused accommodations from the manager, who turns out to be Harvey Morton, the "big bad wolf" on the train. They then head on over to the Westview Inn, located on the other side of the lake, owned by Matthew and Emily Dickerson (Thomas W. Ross and Elizabeth Dunne), an elderly couple in financial straits, thanks to Morton's scheme in phasing them out and taking over their establishment. Instead of enjoying their time away from home, the Bumsteads find themselves helping the Dickersons, with Dagwood acting as manager; Blondie the host-es; Baby Dumpling doing what he does at home, the dishes; and Daisy dreaming of being back home.Funny and sentimental with a touch of suspense, particularly towards the end as the abandoned Lake Inn catches fire, with Baby Dumpling and Daisy trapped inside one of the rooms, making this one hot item in the series. BLONDIE TAKES A VACATION leaves a good feeling in having a young married couple taking the time to help an elderly couple in need. While Donald MacBride is the villain here, his initial encounter with the Bumsteads isn't properly developed. First seen on the train with his foot resting on Dagwood's hat on the floor, and apologizing for his error, Blondie becomes the instigator, stirring up the passenger by insulting him, leading to rivalry between the two. Had his Harvey Morton character shown no remorse instead of apologizing, Blondie's anger towards this man would have been understandable. Morton may have no right in turning away paying guests like the Bumsteads, however, if this didn't happen, the Dickersons wouldn't have had the help they needed to survive. Donald Meek plays a likable character who turns out to be an arsonist, a secret known only by his nephew, John Larkin (Robert Wilcox), who later suspects his uncle for starting the Lake Inn blaze, while Morton accuses Dagwood and having the sheriff (Arthur Aylesworth) placing him under arrest. However, unknown to everyone, there happens to be a sole witness who knows how the fire started.Series regulars as Danny Mummert as Alvin Fuddow and Irving Bacon as the neighborhood postman (who gets knocked down by the entire family as they rush from the house to the taxi), are seen briefly during the film's opening. (It's funny that the Bumsteads didn't bother to close their front door after departing). The story then breaks away from routine domestic affairs after shifting to the train and hotel.Another quieter entry in the series with some amusing moments worth mentioning: Dagwood's attempt in fixing a vacuum cleaner, to put on the switch and having it float into the air as the dust bag fills up like a balloon; Daisy wiping the dishes dry with a dish rag towel attached to her tail; and Baby Dumpling's encounter with a skunk as it runs into the air conditioning system of "the big bad wolf's" hotel, with the smell causing peddles to drop from the flowers and the vocalist (Christine McIntyre) of the dining room getting all choked up while attempting to sing "Love in Bloom," followed by the hotel guests making an immediate exit in droves. Pew! Distributed on commercial television in the 1970s, and years later on video cassette and DVDs, with sing-along introduction and King Features trademark conclusion, the original theatrical introduction, featuring Columbia logo and drawings of comic strip characters superimposed to the actors portraying them, has been restored as presented on American Movie Classics from 1996 to 2001. What's more in store with the Bumsteads? Find out with its next installment, "Blondie Brings Up Baby." (**1/2)