Black Cats and Broomsticks

1955
5.9| 0h8m| NA| en| More Info
Released: 14 October 1955 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.

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Director

Larry O'Reilly

Production Companies

RKO Radio Pictures

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Black Cats and Broomsticks Audience Reviews

Libramedi Intense, gripping, stylish and poignant
BroadcastChic Excellent, a Must See
Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity
Kayden This is a dark and sometimes deeply uncomfortable drama
moonspinner55 Memorable 8-minute short from RKO-Pathe Screenliner hopes to make a modern-day (circa 1955) correlation from ancient superstitions to the little tricks we play on ourselves today (such as not traveling the same direction twice or tossing salt over one's shoulder). It seems a bit extreme to say that the little girl who recites "Loves Me, Loves Me Not" while picking the petals from a daisy will grow up to be a frequent user of the Ouija Board, or that a poker player on a losing streak will automatically blow on his cards and turn his chair around, but these images nonetheless get laughs from the viewer out of recognition. Some of the facts are now (thankfully) dated, such as the percentage of sick people who seek help from "a wizard" rather than a medical doctor, or all the superstitious truck drivers of the world using teddy bears as their talismans (fastened to the hood of the vehicle like an ornament!). Still, this well-made, well-edited piece has a kooky, punch-drunk style that is winning, and one almost hates to see it end so quickly.
Michael_Elliott Black Cats and Broomsticks (1955)*** (out of 4)RKO/Pathe Screenliner short is perhaps the best I've seen from them. The short deals with the topic of superstitions and how times really haven't changed much since the days of black magic, witchery and various other forms of dark mysteries. The short talks about walking under a ladder, crossing paths with a black cat, the "dead man's hand" in cards and of course everyone's favorite day, Friday 13th. We also hear about people who die yearly because they take the advice of a "wizard" instead of that of a doctor. This film has a lot in common with another short, WHO'S SUPERSTITIOUS?, which was a pretty good Pete Smith short made nearly a decade earlier. This film takes a serious and spoof like look at the subject and really manages to be fun throughout the running time. The best stuff deals with the way farmers might search for a place to put a hex on another farmer's cattle.
Neil Doyle This short subject from the '50s takes a look at our superstitious nature and displays a number of them for our amusement.Among the many: Ouiji boards, crystal ball, hand palm reading, sediment teacup, wizards instead of doctors, spilling salt over left shoulder, walking under a ladder, Friday the 13th, the divining rod, and step on a crack.Interesting to see how Black Magic still has a grip on modern Americans.This is the sort of short that accompanied many a feature film throughout the '30s to the '50s and, while the subject matter is fascinating enough, it fails to really deliver the goods in illustrating all of these myths.Passes the time but hardly a worthwhile treat.
Ron Oliver An RKO-Pathe Screenliner Short Subject.The nervous have more things to fret about than just the BLACK CATS AND BROOMSTICKS of Halloween.This humorous little film takes a lighthearted look at fortune predictors (Ouija boards, horoscopes, palmistry, etc.) as well as various superstitions: spilling salt, walking under ladders, Friday the 13th, luck charms, chain letters and so forth.Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.