Reptileenbu Did you people see the same film I saw?

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

JohnHowardReid Alpha have given us quite an acceptable 8/10 print of Beau Ideal (1931) which, partly thanks to Loretta Young, contrives to be one of the worst films ever made. Well, at least for the first 20 minutes or so. If you're watching this, fast-forward immediately after the credits past the scene with the chained prisoners (it's repeated later in the movie) and all the terrible stuff with a group of the worst child actors ever assembled, and all the tripe with Loretta Young (she is absolutely dreadful - and is photographed most unattractively to boot). Commence watching as soon as the Foreign Legion scenes appear. They may seem rather dull and over-familiar at first, but they do build up to a splendid all-action climax. Alas, director Herbert Brenon, a master of visual excitements, proves an almost total loss with his leads. Admittedly, given his ropey dialogue, Lester Vail is not too bad, but Ralph Forbes proves even more insufferable than Miss Young. And that's saying something!

wes-connors American adventurer Lester Vail (as Otis Madison) joins the French Foreign Legion to find boyhood pal Ralph Forbes (as John Geste). They face danger and fight Arabs. Although the men often seem like they'd be more interested in each other, they are rivals for beautiful Loretta Young (as Isobel Brandon). This sequel to "Beau Geste" (1926) features the same sort of story, but falls like sand through an hourglass. Reprising their parts in the earlier film are Mr. Forbes and director Herbert Brenon. After guiding several classics, Mr. Brenon was highly regarded. He seems to be having some trouble coordinating the new sound of motion pictures with his usual skill. The script is confusing and the performances histrionic.**** Beau Ideal (1/19/31) Herbert Brenon ~ Lester Vail, Ralph Forbes, Loretta Young, Don Alvarado

calvinnme ... with an overall incoherent story to boot. The beginning really interested me, as I found myself dropped into a story in progress, with no real context, making me want to know the whys and the hows and the whos of the situation. You see half a dozen men at the bottom of an underground grain pit that is acting as a prison in the middle of the desert. They are wailing about how it has been six days since they had rations. There are two left alive, one looks at the one who has just died and says "Stout Fellow" then collapses himself. The one left conscious says, with great interest, "What did you say??" At this point the story goes back 15 years to England and shows the Geste brothers, Isobel Brandon, and Otis Madison as children. There really is no point to this part of the story other than to show the camaraderie among the four even at this early age. American Otis returns to England years later as an adult to propose to Isobel (Loretta Young). Funny how he'd take such a long journey believing that time had stood still for Isobel, but it is just the first of many odd things Otis does.Instead of tears of joy, Otis is greeted by just plain tears before he even gets to pop the question. Apparently the Geste brothers joined the French Foreign Legion because of an indiscretion one had committed but, heck, those Geste boys always do things together don't you know! When John's mortally wounded brother is attacked by a sadistic officer, John in turn kills the officer. The military court shows mercy since the officer struck one of his own men and sentence John to ten years in the French Foreign Legion Penal Battalion rather than hang him. Oh, and by the way, John and Isobel were engaged to be married prior to all of this and have tried and lost all appeals to the French government.Otis, being all dressed up with no place to go, decides to go to Africa, get John, and bring him back to Isobel. Now, remember, Otis doesn't know what John looks like anymore, apparently doesn't know what last name he is using - it is not Geste, and for that matter doesn't even know if there is more than one French Foreign Legion penal battalion on the continent of Africa. Then there would be the little matter of escaping from the French on the continent of Africa where their white skin would hardly make them blend into a crowd. James Bond would shake his head at the lack of prep work in this operation.Now I could take this outlandish plot if it wasn't for the poor overall technique. At some points there is pretty good dialogue, but for the most part this film lapses into pantomime-like silent film acting with the players actually saying the kinds of things that they would have said during the silent era when filming just to get in the mood - the kind of stuff the audience was never intended to hear lest they break out laughing. Towards the end it just gets so ridiculous. Maybe the problem here was that the director for this film also directed the silent version of "Beau Geste" in 1926 and just had a hard time moving the story ahead in time. Between the odd plot, the silent film acting coupled with a multitude of title cards, and the fact that top billed Loretta Young is only on screen between five and ten minutes, I'd recommend you pass on this one unless you are just interested in film history.

MartinHafer P.C. Wren wrote the story "Beau Geste" and several film versions have been made. However, few would know that he wrote two sequels, of sorts, and one of them was "Beau Ideal". I have not read the stories so I cannot say how close they are to this movie, but I felt completely underwhelmed by "Beau Ideal". It SHOULD have been a lot better, but the story just wasn't written very well--and perhaps that's the fault of the screen writer. So much of the story just didn't make any sense.The story begins in a dank prison in the African desert--filled with starving and dying prisoners. Then, abruptly, it jumps back 15 years to England. A group of children are playing at some country estate and one of them is told that it's time for him and his mother to return to their home in America--and he bids them goodbye and his eternal friendship. Then, years later, John Geste (Ralph Forbes) returns from America to England--with the intention of asking the young girl from earlier in the film to marry him. I KNOW this made no sense--they don't seem to have seen each other in the many intervening years. How could a 10 year-old expect, when he grows, to marry a girl he never saw until over a decade later?! But what happens next REALLY makes no sense. He learns that the boys he adored on his previous trip to England had joined the French Foreign Legion (the film was VERY vague as to why). And, all but one of them had died....and the last surviving boy had been sent to a Legion prison!!! Okay...but Geste then tells the grown girl (Loretta Young) that he would take care of the problem. Huh?! Next, you see Geste joining the Foreign Legion. Wow. What a dummy. Friendship is one thing, but this is just dumb. But it gets a lot dumber! He's a good soldier but when there is a mutiny, he claims he was involved and gets himself sent to the same prison as his friend--who he couldn't even recognize because so many years have passed! Hmmmm. Might this be the dumbest character in film history?! Perhaps. I don't know about you, but entering a North African prison does NOT sound like something I'd do voluntarily!!!! Duh...Soon the film is where it began--with another uprising in this work camp, he and the rest were thrown into a deep pit to rot. Days have passed since they received and food or drink. Eventually, a group of Bedouins arrive and let out Geste and his dying friend--the rest had long since died. It seems the men were left there because the camp had been wiped out--all were dead other than the two. Where all this goes next, you'll have to see for yourself. But understand that once again, some of what happens makes no sense--especially the woman who helps him late in the film AND Geste's apparent ability to dodge bullets! The bottom line is that the desert locale is great and the film has a bit of an epic feel to it. But the script is just bad--very bad. Geste seems idiotic and none of the film seemed the least bit possible. Not a brilliant triumph, my suggestion is to see one of the versions of "Beau Geste" instead.By the way, the animals used in the films are Bactrian camels from Asia not the single-humped camels from North Africa and Arabia. Perhaps they had trouble getting the correct animals but they hid the second hump very well. But, the Bactrian is much shaggier and stockier and the ones in the movie are indeed Bactrians, not Dromedaries. Wow. I bet you biology professors out there are thrilled to hear this. Others, well...bear with me and my love of minute details!