Phonearl Good start, but then it gets ruined

Cleveronix A different way of telling a story

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Yash Wade Close shines in drama with strong language, adult themes.

dbborroughs Meteor slams into Tokyo bay covering the city is a weird shell. Inside the dead begin to rise and one girl fights to rescue the living and stop a mad general looking to use the dead for his own ends.Forerunner of the modern shot on video gore films this is a "serious" (well at least compared with say most Sushi Typhoon films) film that was done on the cheap by people with more passion than perhaps talent. It reminds me of the late 80's scifi films from America. While certainly wild and crazy it's more interesting as an artifact rather than as film I'd watch again for enjoyment.I'd take a pass.

Neptune DNA From the mind of one "Guts & Entrails Gaira" comes this low budget zombie flick based on a meteor crash in Tokyo Bay. The aftermath of which (including a gaseous cloud & "cosmic contaminant") leads to a virus inflicted upon the dead--thus giving them new life--meaning bad news for the living, who may yet become living dead themselves...Military takeover of the blackened city in shambles juxtaposes the few remaining radicals, wayfarers, and renegades living by the laws of nature and survival... A traveling van of misfits in particular. The mad scientist General Hugioka oversees experiments on the living to build a monster army to rule the world... Keiko & military-general-father Ita fight for justice and deliverance in a seemingly hopeless situation... Corrupt authority wishes to keep the disaster hidden, so that it may extend its deviant killings, torture, and horrific medical experiments... Can Keiko & Ita save Tokyo? The world?Our lady, Ms. Keiko, with the help of her father's custom designed leather-clad-body-suit, tailored to her specifications--apparently also capable of bolstering feminine superhero type powers--and microchip technology used to communicated with one another--takes on the gang of walking dead corpses and evil military dictators to the death! The monster army can't stop Cutie Keiko either... And this film generally feels like a waste of time in between the laughable fight scenes, $2.00 shoot outs, bad acting, obligatory wrestling moves, but hey; it's got a nice aesthetic touch & i found it to be charming. Not to mention the denouement... Oh, the ending that's not much of an ending. *frown*As for deeper meaning of the content at hand, there does seem to be some nationalistic, anti-torture, and politically motivated commentary on display here (see Hugioka's rambling speech near the end). And for such references, it deserves a higher mark than the average trash fare, but maybe I'm reading things into it to justify a higher rating. In sum: If you want a fun flick similar to Romero's "Dawn of the dead" spliced with a semi-sci fi premise and cyber punkish elements, then this is for you.P.s. "Japan can't be saved by your humanism!"6.5/10

cornjob-2 Okay, so there's this meteor, right? Then it crashes into Tokyo Bay, right. This causes green gas to be released into the atmosphere. So far, so good, right? And the authorities want to cover it up. That makes the sense, right? Now, after the first three minutes, it makes no sense.From there, we transition to what is apparently a few weeks or a few months later (there is no indication that time has passed, we can only guess) as we are now in a poorly lit, post-Apocalyptic Tokyo with a largely zombified population (from the green gas). There are a few humans, like the heroine (as played by female wrestler Cutie Suzuki) left fighting the zombie menace. Or driving around. Or walking about in a daze. Yeah, that's what they do. Eventually, the heroine gets a leather suit from her father that is apparently imbued with special powers (that's never addressed and very poorly implied). She starts fighting these zombies and some random government agents that are inexplicably turning people into super half man, half zombie combos that perform...very...slow...martial arts.There are some cool scenes in this movie. However, most of the film will result in much yelling of "What the heck is going on?" There is much that is unclear and just never explained. The few explanations there are are fairly stupid and the climax is non-existant. It can be entertaining, but for the most part this movie is rather useless. I can only recommend it for completists.On a side note, I was surprised, pleasantly, that they didn't have Suzuki do a lot of wrestling. In fact, I can only seem to recall two or three wrestling moves. She mostly uses a one shot Uzi (?) or lifts people in impossible manners thanks to wires.

agrajag-4 a so-so zombie movie from japan. if you like zombie movies, i guess this one's not bad. it never really excels, even within the genre, but...it's not bad. well, put it this way: some of the zombies had some cool makeup and there was some cool atmosphere. those two things are the true essentials of a zombie movie - alone, they don't make it good, but their absence will always make it bad. unfortunately, the plot just kind of goes into a downward spiral after the first 30 seconds, and some of the later stupid things include: 1) a maniacal military guy hellbent on controlling the world (to save japan's reputation?), and 2) half-mutant, half-zombie "monsters" which were spawned by simply injecting humans with the zombie virus and mixing it with other virii. this enables them to grow things like Wolverine-esque metal claws. no, i don't understand it either, but this IS from the same people who brought us the wonderfully-yet-bewilderingly bizarre gift of anime. oh, and the fight scenes...ugh. no, i won't go into them. but if you like zombies, you won't do too badly picking up this corny-but-entertaining flick from asia.