Ensofter Overrated and overhyped

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Prashast Singh Badrinath - this film became so popular that I failed to resist myself from watching this film. I thought the film to be good, but it is more than good-excellent!Badri (Allu Arjun) is a warrior assigned to protect the Badrinath temple under the guidance of martial arts and spiritual guru Bhishma (Prakash Raj). But one day,the guru starts to doubt Badri when Alakananda(Tamannaah), who starts to love Badri,walks in that temple with his grandfather.The rest of the story is about how Badri saves Alakananda from her ruthless uncle and wins her and Guru Bhishma Narayan.The story-screenplay and direction by V.V.Vinayak is excellent.The performances by Allu Arjun,Tamannaah and others are also praiseworthy.The music by Keeravani and VFX by Makuta VFX is excellent. The locations,cinematography are also a masterpiece. The action sequences by Peter Heins are mind blowing! The production by Geetha Arts is also very good. The application of warrior concept in the modern day is fantastic.On the whole, Badrinath is a solid entertainer that will establish Allu Arjun as a mass hero and will entertain everyone. A must watch for all!!!!

Avinash Patalay The writing on the wall is clear: the mega success & ringing cash- registers of "Magadheera" has prompted the makers to attempt "Badarinath". Sadly none in the production team cared less to deliver a good Chandamama story. Everyone seems to be blinded by the glitter and gloss of the production values that results in a soulless pot boiler called "Badrinath".Allu Aravind has put in lots of effort especially in the action sequences. Sadly he should have concentrated on his performance too. Tamanna plays as usual the glam-doll, a stereo type character she prefers.Prakash Raj is loud. Kelly Dorjee & Ashwini Kalsekar are passable.The plot opens up with lots of promise but sadly loses it steam as it chugs along and passes through the predictable path offering nothing new to the audience in terms of novelty."Magadheera" was a game-changer. It awakened the mythological sentiments which was lying dormant in the Telugu audience. And certainly the credit goes to the unstinted effort poured by Rajamouli. V V Vinayak clearly has a long way to go before he can make a mark for himself.

Sharan S Badrinath is something I never expected. Allu Arjun decides to earn the respect Ram Charan Teja earned for Magadheera and he whips out a sword and kills 100s of goondas. Not just that, his character is made of a stylish personality and a god-fearing priest who's heading an ancient rivalry. How do you blend 2 poles in one? Make up your freakin' mind guys! Badrinath is unbelievably ridiculous that at one point, all we crave for is Tamanna's skimpy clothing.Although she appears in very limited scenes (this being an Allu Arjun film), she provides her gracious charm in the given scenes. The songs were good and have been shot extensively around Tamanna and her slightly-chubby waistline. I wonder if sex & violence alone can sell more than a reasonable storyline? If Badrinath sold well to audiences, the promise of a better future to sensible Indian Cinema is almost over. P.S. In case you're thinking on watching the film for the 3 songs featuring Tamanna's slightly-chubby waistline, watch it on youtube. Save your money!

maheshn4082 Quiz: How many bad guys can Badri (Allu Arjun) single-handedly kill or maim at the Bellary Railway Station with just a sword and without suffering so much as a scratch in the new Telugu film Badrinath?a) 0 b) 2 c) 4 d) Several DozenIf you answered from a-c, you'd be grossly wrong but still get credit for retaining a vestige of sanity. Since it's a Telugu film after all, the correct answer must perforce be d.Folks, with each new movie, Telugu film star Allu Arjun's acting gets worse and the plots of his films get further bizarre.In his latest film Badrinath which premiered in the U.S. Thursday night, Allu Arjun not only, yet again, grossly overacts a la Sivaji Ganesan from an earlier era but the storyline is straight from the loony-bin.Set in the Hindu holy city of Badrinath in North India, the movie is a mindless Telugu paean to senseless violence (Allu Arjun), asinine romance (Tamanna) and juvenile humor (Brahmanandam).Trashy as most Telugu films are, one can, if one searches long and hard, spot some redeeming element in the form of acting, music, settings, photography or, if nothing else, seek solace in the scantily-dressed voluptuous heroine.But Badrinath's claim to fame is that it comes to the screen shorn of any semblance of artistic merit or any whiff of redeeming elements save that a bunch of wannabe filmmakers had money to burn.And proceeded to toss Rs 41-crore into the fire if media reports are accurate.Allu Arjun, rippling muscles, 8-pack physique and all, plays Badri, the favorite young disciple of a saintly, white-bearded old figure Bhishma Narayan (Prakash Raj) in Badrinath. Serpent in Eden oops BadrinathGiven to flashing his sword and performing endless leaps on the high peaks, the young disciple's idyllic life in the serene heights of the temple town is disturbed with the entry of a serpent in the form of the fair-skinned Alakananda (Tamannah Bhatia) accompanied by her Tatayya (grandfather), who's coughing up blood (you're never sick in an Indian movie unless there's an effusion of blood).Oh yeah, the girl hates all mention of God and is given to sacrilegious actions, one of which nullifidian act has our valorous, devout hero angrily flinging her into a fast-moving Himalayan river from high above.Alas, to our great distress Badri's Guru orders him to save her, which he dutifully proceeds to do so and in the process shaves us of any peace for the next two hours!But Cupid will always worm his way in or at least Badrinath director V.V.Vinayak (also responsible for the screenplay) will.Soon, the devout young lad is distracted with the skimpily-clad girl who sports a mouth perennially agape as if longing for a hard-object, a pout at home in a nut-house, a brain smaller than a pea and simian antics characteristic of diapered children.One such "Rajinikanth" antic has an elephant charging after her and only the timely intervention of her savior Badri prevents the pachyderm from planting its large feet squarely on her lissome midriff.Bare-chested Badri is soon lovey-doveying with bare-midriffed Alakananda on the mountain top even as her evil relatives in the sultry Andhra plains, who seem to be on an overdose of crack-cocaine, plot nefarious schemes that will soon reach the mountains and separate the love-birds.Allu Arjun's character Badri has a weird tendency to suddenly break into moon-dances a la Michael Jackson in the company of a large troupe, a hint that his Valium dose needs to be increased if we're to calm him down.By the way, Tamannah Bhatia sets a new record in Badrinath, albeit a dubious one, for being the first Indian heroine to go through an entire movie without covering her midriff and belly-button and lavishly displaying her wares, small as they are, in a desperate effort at inducing lecherous eyes, drooling mouths and priapic organs. We'd say she failed in all three.Did we tell you, her character goes to a funeral dressed as if to a late evening party! Seriously, do they do that in Andhra Pradesham?Neither the music nor their picturization were in any measure adequate to lift us out of our misery at the distressing spectacle. The Nath Nath shrieks in the second half that pretends to be a song had us gasping for breath.As if all of the aforesaid were not torture enough, we were subjected to more grief from that infernal sine qua non of Telugu films Brahmanandam, who plays a crook masquerading as a 2,000-year-old swami.