Plantiana Yawn. Poorly Filmed Snooze Fest.

Phonearl Good start, but then it gets ruined

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

mikesc60 Not too bad for some fairly easy entertainment and intrigue - if you can tolerate the unnecessarily gratuitous violence and blood which at times is pretty sickening for me. But when the intrigue ends about half way through when the mystery is uncovered, the film degenerates into comedic posturing by a ridiculous number of body guards unnecessarily threatening a couple of defenceless men and a morally bankrupt story line which could so easily have raised the tenor of the film if it had included an ounce of humanity. The only attempt at this, with a contrived reconciliation which flew in the face of all normal sensibilities was promptly snuffed out along with the most of the robotic characters that behaved as though they were supposed to have been in a sci fi movie. Even the attempt at romance was more like a pair of the 'Wooden Tops' getting together. An ill conceived plot that started well but completely failed to deliver.

suite92 The Three Acts:The initial tableaux: Billie wakes up on a beach, battered and covered with sand. Her short term memory is shot, but she remembers to find her dog tags before proceeding inland. She soon joins a chase where one side is armed, and she is among the chased. Erin is separated and killed by Sarge, the leader of the armed uniformed men. Billie escapes with Berto, Chloe, Nick, and Todd, who lead her to Quentin, the de facto leader of the prisoners. Billie swaps kidnapping stories with the others.Rich seems to be the straw boss of the island. He's disappointed with Sarge that Erin is dead. Mao is coming the next day.Delineation of conflicts: The gang of kidnappers/murderers would like to keep the human traffic flowing, since there is a lot of money in organ harvesting. The prisoners would like to escape with their lives. If possible, hurting the efforts of the traffickers would be nice. The gang has weapons, transportation, radios, money, and contacts. The prisoners have their good health, for a while, at least. Billie tries to figure out the connections among them.Resolution: Do the prisoners find a weakness?

Tss5078 For a small, independent, real-life horror film, Awaken has a lot of pieces to it's story, there really is a lot going on, in what initially seemed like a cut and dry story. If this film had been done a bit differently, and if it's impressive cast had been used for more than simple cameos, this may have been a much better film. The story begins with Billie (Natalie Burn) waking up on an island, being chased by strangers, and rescued by another group of strangers. She comes to learn that everyone in her group of rescuers woke up as she did, and appear to be hunted for sport. Billie wants to escape to one of the nearby cluster of islands, but learns that attempts have been made, and no one has ever come back, but Billie is a military brat and refuses to accept that. The story here is very well written, especially for this type of film, but everything is so anti-climatic. Just about every scene turns into a fight scene or a shoot out and there is nothing original about that. Honestly, what is the point of having this great story idea if ever scene is going to end up the same way? There is also the fact that the casting is a complete mystery. This film managed to get Darryl Hannah, Edward Furlong, David Keith, and Robert Davi and they simply make cameo appearances in ancillary roles? If that's the case, why even waste the money to bring them in? Awaken had the story, it had the cast, it had the looks, it even had a premium location, but poor dialogue, predictable outcomes, a misused cast, and a painfully horrendous ending absolutely destroyed what could have otherwise been a rather entertaining film.

Nathan Graham I often wonder what motivates someone to make a movie that is this awful. It can't be money because I can't, in my wildest dreams, envision this straight to video travesty earning enough to even pay the extras salaries let alone the former A-list actors turned C-list losers. Everything about this waste of film is bad. The camera work looks likes it was done by a tweaker with ADHD, he skips from face to face with no rhyme or reason. The fight choreography was obviously done by someone who has never been in an actual fight. And the acting, if you can call it that, is only surpassed in its hideousness by the direction, which reminds me of something from one of those 60's biker exploitation movies. Hannah and Furlong should quit while they are behind. I mean, I still had somewhat fond memories of previous films they played in, like Splash and Detroit Rock City, but those memories are forever tainted by the 90 minutes of stupidity that was Awaken. Pare and Davi have always been second rate actors and this movie confirmed that they have now joined the ranks of 3rd rate actors like Natalie Burn, who by the way, should be deported back to Ukraine before she attempts to act again. Vinnie Jones was the only reason I watched it as long as I did, but even he couldn't save Awaken from being the worst film of the new century.