BlazeLime
Strong and Moving!
ChanFamous
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Brennan Camacho
Mostly, the movie is committed to the value of a good time.
Bob
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Irishchatter
So I got watching this because as you know, Megan Markle is going to be a princess soon and I decided to give a go! Although the middle of the movie was boring, I thought the storyline was pretty good at the same time. My heart was beating faster though when both Meghan Markle and Gregg Sulkin's characters were at the airport. Man he made a big fat mistake by being the fourth suspect of that bank robbery. Seriously I dont know how the police didn't caught him going to amsterdam with his girlfriend. If this was real life, he probably would be caught and never have proper future with the girlfriend!
TeeJay1992
Dee (Gregg Sulkin) is a graffiti artist who wants to go to Berlin with his girlfriend to further his graffiti art studies. He doesn't associate with his brother's dangerous activities like breaking into jewelry stores with some other hoodrats. It's great seeing the gun shootouts and chase scenes. My heart was literally beating out of my chest during this airport scene near the end of the movie. Have fun with this movie! I watched it on Netflix.
frompagescreen
Today I decided to get around to watch Anti-Social, a British film, written and directed by Reg Travvis (Screwed). I had heard of Anti- Social around its release time due to one of its stars being Mr Josh Myers, a very cool guy who has featured in a few films that I watched and talked about. Namely Green Street 3 (Dir by James Nunn), White Collar Hooligan 3 (Dir by Paul Tanter) and Screwed (Dir by Reg Travvis). Josh s career is one that I am following as each role I've seen him in, he always gives his all to the character. Anti-Social is no different in that regard although the film itself is very different from 90% of UK films I have seen lately, and actually 90% different from most films. I knew nothing of the storyline going into the film (I like to preserve that element in most films I watch) I knew the title, and had seen the front cover and of course knew some of the cast list. Other than those small details, I went into this film cold and it benefited me totally. Whilst the film doesn't have any 'major plot twists' what Anti-Social does brilliantly is let the story unfold over its running time. You watch characters do what they do and the story unfolds without any feeling of 'Oh I can see where this is headed' . I loved that about Anti-Social. It wasn't confusing and yet I had no idea where the storyline was going to go, and where it did go was done to perfection.So often films are packaged as 'for fans of
' in the hope they can be sold lazily to the viewer. Anti-Social is a serious gritty, adult natured thriller which if I had to do the awful thing if labelling it for an easy sell. Id perhaps say its part Kidulthood, Part Julian Gilbeys Plastic. But more openly I would just tell you that Anti-Social is not just a really engaging story with great performances.(Gregg Sulkin as Dee, and Andrew Shim as Jason, to name two) But Anti-Social is also a damn fine piece of filmmaking.
dcmMovielover
Strong performances with an authentic variety of characters and decent although fairly simple storyline, it is a film about young professional criminals. They are not masterminds (they're not particularly bright in any sense) they are one-time delinquent youth now graduated to 20-somethings. Kicking-off with a high energy jewel-store heist when jumpsuit clad motorbike-riders crash through a shopping mall with sledge hammers, inter-cut with a pair of hoodies spraying aerosol flames at policemen as they are chased from doing graffiti over railway lines, you expect this film is going to be a solid punch in the guts. And I'm pleased to say that it is, at least for the most part. Enter the gritty domains of siblings Marcus and Dee, their girlfriends, partners in crime, and their rivals. Their father had been a bank robber back in the day, and while Dee is only a petty crook cum graffiti artist, Marcus has gone into the family trade with his own gang and brand of armed robbery; 'smashing and grabbing' Gold Rolex watches on motorbikes. The film is a back and forth between Dee's life, as he goes from being a delinquent graffiti artist to a ghetto poster-boy of the wealthy urban art dealers, and Marcus' life as he and his gang rob every jewellers and occasional drug-dealer until they have enough swag to do what all armed-robbers do; move into the drugs business. The film is a nose-dive into the world of young gangsters and one which rings more true than the usual fare of stereo-type hard-nuts and violence for the sake of it (in fact compared with most gang films they seem like choir boys until they've got a shotgun or axe in hand). At times it slips into melodrama when Dee and his American girlfriend (Rachel from "Suits") ponder over careers and the meaning of art, but it is held up by the manic drive of Marcus' gangster life, his criminal ascension, and the relationship between the two brothers. A prolonged gun fight outside a busy city nightspot is staged with a brilliance rarely seen in British films and is a chilling reminder of the violence of young gangsters in London, likewise an extended, very violent aggravated robbery scene carried out by the rival gang which is the film's darkest moment, makes Anti-Social one of the more poignant British dramas of 2015.