Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Tockinit not horrible nor great

YouHeart I gave it a 7.5 out of 10

Justin Easton There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

hsmpr Dear Mr. Gillis; I'm an actor, but not writing to you as one. I recently saw the above film, "Across the Sea of Time," that you wrote in 1995 and just wanted to tell you that I absolutely loved it. It was a beautiful film and you should be very proud of it.Too bad more people haven't had the opportunity to see it. Loved seeing the old photos of New York in the early 1900's, the young boy actor and the theme of the story. After seeing it I called the casting director to see if I could get some kind of a work address to send a "thank you" to you, but they would not give me anything which, I guess, is the right thing to do! Wish there were more films like this today. Thank you!Best wishes, A fan

Sander Kiesel Isn't it crazy? While a Sony official declares 3D nearly dead, Sony Pictures seems to refuse bringing Across the Sea of Time on the market in 3D Blu-ray. Indeed, eventually general public will loose interest in 3D TV, but only because of the lack of good movies like this one. Finally there is a good system which can bring us quality 3D, but from our wish lists we can buy only a handful. Also the continuous flow of 3D rubbish will make it hard to find the really good stuff. When you have bad luck and have bought a few bad 2D to 3D conversions and have seen buildings with an interesting interior, but only taken from the outside with a cheap camcorder thru the window while driving... Yes, I can imagine this will make a person think twice about buying another expensive 3D Blu-ray. I sure hope this situation changes in time and people will see that 3D at home can be great when 4k and OLED are combined in passive 3D. I think this is the way to go.

ccthemovieman-1 I was curious how that format - so impressive at th IMAX theaters - would translate to the regular television screen, so I rented the VHS of this. My answer: it doesn't. One needs a big screen, I guess.....a very big screen, especially when the visuals aren't that good to start with as was the case here.This is simply a little documentary about New York City, comparing how some intersections and buildings looked back in he early part of the 20th century as compared to when this movie was made in 1996. Interwoven in the presentation is a little Russian immigrant kids story. It's quite boring for the most part. If you grew up in NYC, especially in spots where this was filmed, this would be a lot more interesting.

bcurnutt I was left on the cutting room floor when they edited this film. In October, 1995, I brought my parents and aunt to visit New York City for a week. Either Wednesday or Thursday of that week, we went to the Natural History Museum on the Upper West Side. Mid-afternoon, we finished up there and walked down to see Lincoln Center. When we got there, they were filming a sequence where the Minton character was to walk along the retaining wall of the fountain. While they were setting up the shot, someone came up to my father and asked if I would like to be an extra. I said yes and was brought over and placed with a group of three other men. Our duty as extras was to walk around behind the fountain while Minton walked on the wall that faced Broadway. It took four or five takes before we were done. During the set up for one of the takes, the group of us were standing next the young actor playing Minton. One of the group asked him where he was born and he answered "St. Petersburg." The person asking responded "Oh, in Florida?" and the little guy barked back "No, Russia!"I eventually rented the movie and that entire sequence had been abandoned.