Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Phonearl Good start, but then it gets ruined

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

BA_Harrison After unsuccessfully trying for a baby, Dr. Kim Do-il (Jin-geun Kim) convinces his reluctant wife Choi Mi-sook (Hye-jin Shim) to visit the local orphanage, where they decide to adopt Jin-seong (Oh-bin Mun), a creepy young lad who draws disturbing Edvard Munch-style pictures (which wouldn't make him my first choice, but then perhaps I've seen way too many horror films). Once at his new home, their new son forms a strange attachment to the sickly acacia tree in the garden, and befriends the equally frail girl next door, Min-ji (Na-yoon Jeong).Mi-sook struggles to make Jin-seong feel wanted—a task made harder by her unsupportive mother, who openly voices her opinion that adoption was a mistake—but things go from bad to worse after Mi-sook discovers that she is pregnant. When the baby is born, Jin-seong feels rejected and starts to pose a threat to the new arrival, and, as family life becomes more strained, the boy's strange attachment to the acacia grows stronger. After an argument with his adoptive mother, Jin-Seong declares that the tree is his dead mother, and mysteriously disappears.With their adopted son missing, Kim Do-il and Choi Mi-sook's relationship rapidly breaks down. Meanwhile, Mi-sook's mother coughs up blood after an acacia bloom falls on her face and Kim Do-il's father is attacked and killed by the ants that guard the tree. Is the acacia really the reincarnation of Jin-seong's real mother, taking revenge on those who have wronged her son? And what is the sinister secret that eventually drives Mi-sook to homicidal madness?Trees can be pretty scary: the ominous tree outside the young boy's bedroom window in Poltergeist, the terrifying trees of The Evil Dead, the baby-eating tree in The Guardian, and even the grouchy apple trees in The Wizard of Oz—all of them decidedly unsettling. The acacia tree in this lacklustre K-horror is rather weak by comparison, striking out with flowers and insects… hardly the stuff of nightmares.The real horror of this film is not its titular tree, which actually looks rather tranquil and nonthreatening throughout, but rather the twist of fate and chain of events that ultimately results in tragedy and suffering—but it is all told at such a dull pace that it proves totally unengrossing. Director Ki-hyeong Park has clearly spent a lot of effort on making his film look as stylish as possible, delivering some admittedly striking imagery, but with such dreary storytelling, very little in the way of tension, and a muddled ending that required way more concentration and patience than I cared to give, Acacia leaves a lot to be desired.

kluseba "Akasia" is a fairly underrated mixture of a family drama and psycho thriller from South Korea. It is a really slow paced movie but the actors all deliver an amazing job and are always authentic so that the long introduction to a more and more terrifying downward spiral of terror with a great twisted ending was worth all the wait. One must underline the great performances of the two very young actors, especially Mun Oh-bin. Another strength of the movie is the atmospheric score and the artistic factor of the movie, for example the way the camera captures the different states and forms of the mysterious Acacia tree or the different drawings the young boy makes that mostly honour the Norwegian painter Edvard Much and its masterpiece "Skrik".This is a movie comparable to a film by David Lynch where everything starts very slowly but at a certain point, most people are losing it and it's very difficult to follow the movie in the end. Every detail is important in this movie even if some scenes might seem weird or useless at first sight. The difference in here between Daviud Lynch and Park Ki-hyeong is that the ending of the movie offers us a disturbing conclusion that explains everything that really happened once again in a very detailed way.This movie is surely nothing for the masses and addresses to a public that is at ease with exotic and slow paced psycho thrillers that ask to use the brain and not only relax and watch. The movie convinces me because of its numerous details and artistic roots. Anyone that is into weird Asian horror movies should give this a try and might adore the movie.

Alex Savva I'm a fan of the horror movie, regardless of which hemisphere it comes from. I know what to expect from the West, the East and most horrors in the middle. So I received the DVD of 'Acacia' in the post and looked forward to a slow build of ever increasing tension and scary children with odd, disjointed movements hiding under duvets.The major selling point for this film was that it has a far more linear story line than many of this ilk - you get who the characters are, where they are from and what they do. You get the baseline information (nice couple, can't have children) and realise that the premise is just too normal for something freaky NOT to happen.And then comes the bad. The number one complaint is that the story is OBVIOUS. I got it pretty much the moment the kid hugged the tree. I knew where the film was going and was even able to predict the order of death and for what reason.The editing is shocking and unfortunately, not to the benefit of the film. Even were I still pondering the events, tension isn't allowed to build because the director seems to have gotten a new editing suite for his birthday and wanted to use it as much as possible.And my final gripe is this....the tree was unnecessary. This would have been a perfectly good tale of subtle horror with just the couple breaking down over the death of the child - the titular tree bought nothing new or exciting to the film. So I'll finish where I started - my overall impression was 'Oh.'

gambits_cheri Acacia is a slow-moving film; I'll grant any viewer that truth. There are lot of scenes within the film that seem completely unrelated to the tapestry of the film itself, like the expounding of the relationship between two children. The dialogue of the adults is also stilted and questionable, which in turn confuses the viewer and tempts one to just shut the film off.To that I plead: just hang on a little bit longer! Acacia is an odd film, repeating a time-line and waiting until the very end to make sense of everything. It's not a film for people with short attention spans, and that's just stone-cold fact. But by paying attention to the peculiarities of the actors, the ending is made just that much more impactful.When the adopted son "disappears" and the scene opens with the mother, the father, and the father-in-law sitting at the table discussing what to do, it seems odd that one of the comments made is "We can't let him go unreported". That seems like a pretty "der" observation; but in the end, it comes out that the three adults are in on the accidental murder and subsequent cover-up of the adopted-son's death.Suddenly, as the adults all succumb to their own guilt and supernatural influences, the stilted acting and peculiar scene-shoot make sense. The film is shot as a circular progression, rather than the typical linear style that nearly everyone is accustomed to. It's like combining the experiences of watching "The 6th Sense" the first and second time--you're unaware of what's going on, but at the same time you're noting the inconsistencies of character behavior.I enjoyed this film because there wasn't a whole lot of predictability to it, and it lacked the key trademark of most Asian horror films--the freaky noise that the characters hear before they die. I appreciated that, because after "Ju-On" I can't stand freaky noises anymore.