GazerRise Fantastic!

SpecialsTarget Disturbing yet enthralling

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

KissEnglishPasto ......... ........... ............ ............ ............. from Pasto,Colombia...Via: L.A. CA...and ORLANDO, FLDespite having seen A Thousand Acres in a theater 16 years ago, for some reason, I blocked it out and had little recollection of it. Funny how we humans often block things out. In fact, I'd like to call ACRES a "Human Flick"...(As opposed to...you know what!) Nothing compares to a movie that consistently refuses to follow your expectations. At least for me, from beginning to end, despite having seen it before, I just couldn't get it right! KUDOS to ACRES.Produced by, Based on a novel written by, Screenplay by, Directed by and Starring WOMEN! YES...They do it ALL!...A job exquisitely well-done, I might add! From the onset, it's obvious that patriarch Larry Cook (Jason Robards, Jr., in one of his last really meaty, showcase roles) together with his three daughters; played masterfully by Jessica Lange, Michelle Pfeiffer and Jennifer Jason Leigh (Stunning ensemble performance); form an utterly dysfunctional family. Apparently, the premature death of Larry's wife, the girls' mother, when they were all children, served as the defining event in all their lives, derailing each member and hurtling them into disparate realities; The operative word here being, "Apparently".Robards is inspired as the old-school, ironfisted farmer, who, because of his age, is beginning to show a few cracks, starting to lose his grip. Probably sensing this, the old-man pulls the rug out from everyone when he announces at a family dinner that he has decided to screw the government out of inheritance taxes on his choice Thousand Acres by forming a corporation where each daughter is an equal partner.All his daughters are stunned, but the two eldest go along with the idea. Caroline, the youngest, who happens to be a lawyer, exercising professional caution, says she'd like to think it over a bit. The old man is beside himself, causing him to set off a chain of events. There is a very deftly handled undercurrent that adds a potent dose of tension to the film throughout. Phenomenal ending, however, judging from the IMDb 5.9 Rating, it seems a lot of viewers don't agree!9*....ENJOY/DISFRUTELA! Any comments, questions or observations, in English or Español, are most welcome!.....KissEnglishPasto@Yahoo.com

zardoz-13 The tormented women in the epic tearjerker "A Thousand Acres" hope that change will brighten their lives. Instead, change ushers in nothing but tragedy. The current popular designation for movies such as this glossy Michelle Pfeiffer & Jessica Lange melodrama is chick flicks. Covering all the dirt in the life of a well-to-do Iowa farming clan, "A Thousand Acres" unravels as a soap opera about anguish, incest, insanity, adultery, and cancer, clearly qualifying this Touchstone Pictures release as a three-handkerchief extravaganza. Moviegoers not familiar with Jane Smiley's Pulitzer Prize-winning novel may prove less demanding than their more exacting literary counterparts. Unsavory as most of "Acres" is, "Proof" director Jocelyn Moorhouse and "Portrait of a Lady" scenarist Laura Jones have exercised considerable artistic restraint and good taste in their depiction of the events.Set in Iowa in 1979, "A Thousand Acres" introduces us to Larry Cook (Jason Robards), the Cook clan patriarch. He owns a thousand acres of free and clear land. Larry loves to tell the story about how his ancestors put in a drainage system and converted swamp land into profitable farm acreage. Larry stands tall in the eyes of the community and has a say in all major decisions. The Larry Cook character resembles Shakespeare's "King Lear," which essentially was the idea behind Smiley's novel. Larry's wife died from cancer, but he has three daughters: Rose (Michelle Pfeiffer), Ginny (Jessica Lange), and the youngest Carolina (Jennifer Jason Leigh). Rose and Ginny are married, Rose to Pete Lewis (Kevin Anderson) and Ginny to Ty (Keith Carradine). The older sisters have stayed at home, living in houses on either side of their father's house. Rose is raising two girls, but cancer has forced her to have a mastectomy. The only nudity occurs in the scene in the examination room when we are shown Pfeiffer's face grafted onto someone else's body.Carolina differs from her elder sisters. While they dress casually and are homemakers, Carolina is an attorney who wear her hair pulled back severely into a bun. She isn't married at the start of the movie, and her respect for Larry cannot match that of her sisters. So when Larry, in an act of overwhelming generosity, decides to form a corporation and give equal shares to everybody, Carolina balks at the offer. Furious, Larry all but disowns her, and nothing that the sisters can do will change Carolina's mind. Larry makes his relatives a gift of the farm because he feels that the inheritance tax would eat them alive. Initially, "A Thousand Acres" gets off to a happy start. Before fade-out, however, Moorhouse and Jones sling every bit of dirt they can muster.We learn that Larry has feel of clay and that Rose and Ginny differ in their temperament. While Rose is consumed by her own sense of rage, Ginny insulates herself from the shadowy past. The movie's time frame encompasses a pivotal and devastating turning point in the Cook clan. Get those handkerchiefs ready. The two elder Cook sisters square off against Carolina. Carolina accuses them of duping Larry out of his farm. The people in town are convinced that both Rose and Ginny cheated their father, too. Since Larry signed over the farm, he has either confined himself to his mansion like a shut-in or he drives around recklessly and gets drunk. Whatever generosity that he had expressed at the beginning, Larry converts now into hate, fear, and rage toward his two daughters. In an after-dark tornado sequence, Larry raves insanely and calls his daughters harlots. Eventually, the ugly truth leaks out, and the Cook clan collapses like a house of cards. As Ginny, Lange wears a glazed-eyed look and weaves a pattern of anxiety with her expressive hands. Ginny has spent her entire life repressing the truth, and her nervous gestures and posture capture this evasion. Lange's performance is very mannered, and the matronly wardrobe that her frumpy character wears dilutes Lange's sensuous Hollywood persona. She has landed the choice role in "Acres." Ginny is the only character that expands and changes. Lange is such a seasoned performer that she makes all of this fidgeting seem completely natural. As Rose, Pfeiffer gets to fulminate and fire off at those people that she hates. Pfeiffer has clearly gotten the flashy role, and she wrings every morsel of thespian disgust out of it. Rose's revulsion for her father is almost as destructive as the cancer she fears will engulf her, and she is not more charitable to her scummy, insensitive husband. Pfeiffer's character could easily qualify as the film's villain, though that role belong to Jason Robards' guilty patriarch.Ideally cast as the father, Robards plays a parent whose paternal instincts have grown pretty base. Indeed, the script makes little mention of Larry's crisis, but Robards lets it erupt in a hypnotic performance that is all the more evocative considering his brief appearance on the screen. His scene on the witness stand in court reveals how a talented actor can present character without having to spell it out. This style of grim acting comes easily to Robards who legendary reputation in the American theatre derives from his tortured Eugene O'Neil characters. Robards actually resembles one of "Jurassic Park's" predatory T-Rex dinosaurs with his sunken eyes, sullen expressions, and occupational sneer. The performances alone are worth the price of admission. Nobody is miscast. Keith Carradine's famer husband is probably the only straightforward character who emerges from these disasters with his honesty intact. Pfeiffer and Lange endow their performances with a sisterly blend. Nevertheless, as sisters, they remain inevitably different. By the time the movie concludes, these sisters have confessed what they could never have yielded in less strenuous circumstances.Director Jocelyn Moorhouse, whose credits include "How to Make an American Quilt," has crafted an elegiac saga of a family in disintegration. Definitely not a feel-good movie, "A Thousand Acres' is rather an emotional lobotomy that will leave you feeling sad but relieved.

mifunesamurai A Jane Smiley novel, loosely based on Shakespeare's KING LEAR about the Cook family and its dark secrets. Director Moorhouse seems tamed in her approach, allowing the characters to step forward and take a bow. And how could you go wrong with the talents of Pfeiffer, Lange, Leigh, Firth, Carradine and Robards?

Phillip-7 I didn't actually have high hopes for this film because I had read some critics reviews when it first came out. I have not read the novel either. I thought the film was very well done and was moved by it. I agree that many of the supporting characters are underdeveloped but I could overlook that because I knew what was motivating the main characters. The two lead actresses are brilliant, especially Jessica Lange, who deserved an Oscar nomination for this. I loved the way her character slowly changed through the movie and Lange can evoke so much emotion in the viewer with something as small as a hand gesture. Pfieffer is strong as well although the story mainly revolves around Ginny and I don't really see why Pfieffer gets first billing here. I strongly recommend the film, espeically on dvd.