Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

giorgia_greco You can really tell the director is a fashion designer. Everything in this film is poetic, elegant, sophisticated and, at the same time, extremely powerful. So powerful that you can physically feel a lump in your throat that eventually disappears if you allow yourself to cry at the end of the film.

o c Skipping the summary. Y'all know what it's about :) I am in two minds about this film.The problem: it's visually so flawless that it's dull.Clean frames, clean spaces, less life and more a homecare catalogue. Even Colin Firth sometimes stands no chance, fusing into the background like a bland aging model. The washed-out 60s palette doubles down on the impression.Make no mistake, it's kind of the point. Ford's work is to be watched through the main character's lens. And life is no longer exciting for George. Most of the time, he seems to be savoring the clean elegance of his surroundings with last-minute appreciation of a leaving guest. Rarely does his pulse speed up and the colors regain intensity.And you'll know it's not just my fancy wording once you see Ford play with the hue.Still, something feels off. I get the idea, but I don't get the message. It all doesn't move me much.Tom Ford is a fashion designer, and apparently a movie designer, too. So much so that in every scene I identified the effect at which he aimed and the detail, color, composition type intended to achieve it. It was like watching a series of artistic photos. You could pause at any moment, put the screen in a frame, hang it on a wall, and voilà!But it was so premeditated it lacked the flow. And it lacked life. A clock became a blank symbol of passing time; a pretty girl in a perfect 60s make-up - a metaphor of the epoch. Everything so universal and emblematic that I couldn't bring myself to care.And even now I'm still divided. Cause that might have been Ford's intention all the time. To have you experience first-hand how life feels to a person who's lost purpose. A washed-out collection of symbols.Yes, I have that much faith in him. I might be reading too much into it, but in some ways Ford's movies are a game-changer for me.This will be 7 out of 10. But it might well be a 6 or an 8, too. I don't know. What a maddening film.

palavitsinis Although this movie is watched easily today, one has to think what it meant back in those days to have different sexual preferences than the majority of the population. The character depicted by Colin Firth is immaculate. He is such a talented actor, but still this role came as a shock for me. The way he behaved when relaxed and the way he changed completely when in the company of his friend or companion was breathtaking.I really liked the idea of adding color to some moments to showcase his state of mind at the time. This movie is not easy to digest, mainly cause it goes against all sorts of stupid clichés that are still part of our societies. But it is a movie about losing a loved one and it clearly depicts that feeling of hopelessness that comes with. The hero of the movie seems to be finding a moment of clarity towards the end and this is also something that stands true for all of us, no matter how big the loss is. Life goes on, and this was a message that was apparent throughout the movie. It's a sad movie but one that allows you to rethink of the things you value, the things that oppress you and the things that don't allow you to be yourself. And once you think of all these things to just ignore them and live your life to the fullest.

Kirpianuscus refined adaptation. touching performance of Colin Firth. and Isherwoodţs universe in warm colors. Julianne Moore doing a splendid work. and the film itself as an old song from a lost age. a film who could be one of favorites for Oscar. its sin - the strange beauty who gives to it not exactly the status of universal story or gay manifesto, profound subject in the right light, but the role of chain of questions. large themes. in unconventional forms. and a story about life and its sense in the light of impressive picture about failure, past, need to reconquest old moments to be yourself. an experience more than a film. see it !