EssenceStory
Well Deserved Praise
Voxitype
Good films always raise compelling questions, whether the format is fiction or documentary fact.
AshUnow
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
oOoBarracuda
Adrian Noble created cinematic greatness with his take on William Shakespeare's A Midsummer Night's Dream. This 1996 version brought together Lindsay Duncan, Alex Jennings, and Kevin Doyle for a vibrant different take on a classic Shakespeare comedy. Different worlds are woven together in this delightful adaptation of the Bard's work.Theseus (Alex Jennings) is preparing for his marriage to Hippolyta (Lindsay Duncan). He is committed to finding the best amusement for the four-day festival. Simultaneously, deep in the woods live two very different groups of people. A band of fairies led by Oberon (Alex Jennings) and Titania (Lindsay Duncan) King and Queen of Fairies, respectfully lives in the woods and have been commissioned to bless the marriage of Theseus and Hippolyta. Then there is a group practicing a play that they hope to perform at the wedding affair. Traveling between the two worlds simultaneously was a brilliant decision by Noble and created a wonderful screen adaptation of Shakespeare's work. This film is so well done. The set design was fantastic, the colors were incredible, and the zany acting was amazing. I've been struggling trying to find a way to write this review in an unbiased fashion, but not finding a way to succeed. I felt changed by this film, much like my first experience with a David Lynch film. I also find the film a bit difficult to explain. The colors are incredible among so much else in the film. Please carve out some time for this film. You will not be disappointed.
spikey-5
This performance of Shakespeares best play by the Royal Shakespeare company is a visual gem. Contempory without throwing out the setting or the themes, presenting the original language in a way to appease both traditionalists and the MTV generation.Of course, if anyone can do the play right its the RSC, but even they have not always hit the mark. This is by far the best envisioning they've done in the past few decades and the ability to pull off a few minor tricks with TV cameras that couldn't be done live on stage only adds to the whole film.A nod to the origins of their craft is presented when most of the players play two roles, one in Faerie and one in Athens. The Duke is also Oberon, his bride Hypolita also Titania whilst their attendant Faeries are also Courtiers of the Noble couple. Even the players of Pyramis and Thisby are also the inner circle of Titania's grotto and all of this adds to the question of how much is real and how much is Dream.The simplicity of set and props half convinces you time and again that it is a Staged show and not a movie, with Faerie scenes feeling very magical in an 80's pop video kind of way. (don't hold that against it, this is not matched by terrible pop video editing or camera work in anyway). The Costumes (especially the use of bright colours and single shade outfits) adds to the pop video feel without it detracting from the story.All in all this is far better than the Kevin Kline Hollywood attempt at the play which lacks the same otherworldliness and basic acting talent. A Midsummernights dream told in a dreamy way without the dry throats or discomfort of summer.
Ray Girvan
I just love this film. I didn't see the stage version, but this is an extremely clever adaptation of the play: a nice parallel construction where the human court is pointed up by using the same actors as the fairy court, and Bottom's friends reappearing as his fairy attendants. Desmond Barrit is brilliantly characterised, and the Mechanicals very creatively presented as English working-class (for instance, Bottom on a motor-bike combination). And we're left with no doubts that he does have sex with Titania, and donkey's ears are not all he gets from the transformation! I think it's one of the hallmarks of good Shakespearian productions that it manages to make the humour genuinely funny, and the play-within-the-play combines slapstick with genuine pathos. Ultimately, it was a very moving production, whose end (despite my being fairly hard-bitten) brought tears to my eyes with its deep nostalgia and Englishness. You are sorry to leave the world of these characters.
drn5
This film is based on a wonderful stage production that was staged by the RSC in 1994. On stage it was superb, and I think of it as one of the best times I've ever had in the theatre.The film, however, is a complete mess. All the effects that were so magical in the theatre - the forest of lightbulbs, the flying umbrellas, the mysterious doors - look ridiculous when they're turned into bad computer graphics. And although some of the performances are good - especially Alex Jennings and Des Barritt - the pacing of the film seems poor. In particular, the mechanicals scenes are stilted and unfunny - and 'Pyramus and Thisbe' is mangled with poorly-timed slapstick and glooping sentimentality. And most annoyingly of all, Noble introduces a Macauley Culkin lookalike, who runs around being wide-eyed and imaginitive, infusing the film with unnecesary Hollywood schmaltz.I regard this film as a brave, but poorly-executed attempt at translating faithfully a stage production to film. It doesn't really work, but at least Noble's vision is more imaginitive than the other films of the 'Dream'. And bad though the film is, it's still better than the ghastly Michelle Pfeiffer / Kevin Kline version, which should be avoided like the plague.
