Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Ameriatch One of the best films i have seen

Platicsco Good story, Not enough for a whole film

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

MartinHafer When this film begins, it looks like another high quality film from Studio Ghibli (Miyazaki's studio) but it isn't, it's from Bandai-- the folks who make many anime series television programs. I didn't realize that they also did full-length films--but after seeing the quality of this movie, I sure would like to see more from these folks.The film is about a girl named Momo (Japanese for 'Peach'). She and her mother move out to the country from Tokyo after Momo's father's death. Momo hates living there and wants to be back in Tokyo. She also has trouble getting to know the local kids, as she is rather shy. However, over time, three unexpected friends help her out during this time of need--three goblins who are scary looking but who are really quite nice. The problem is that she alone sees them- -and at first she's scared half to death and you cannot blame her! Eventually, however, the four make peace and the rest of the plot is just something you'll need to see for yourself.So is it any good? Well, as I mentioned above the quality of the production is very nice--really nice animation, lovely music and some cute characters. The story is also lovely--a bit less strange than some of the Miyazaki films (such as "Spirited Away") and it has a very strong Shinto message involving the dead father trying to contact his daughter from the great beyond. Some religious folks might object to this message, but it is very sweet and very Japanese--so what do you expect from a cartoon from Japan?! Well worth seeing...and one that actually might be good to see with a box of Kleenex nearby.By the way, the DVD I watched was the American version. Often, things are changed or mistranslated in the process and I assume there are some difference between the original and this version. I don't think they would have called these creatures goblins in Japan- -perhaps spirits or demons. Regardless, I just want you to know that my review is based on the Americanized version. Usually, I prefer to see subtitled and original products, not ones redone for local consumption but I oddly had problems getting the DVD to play the Japanese version (which was on the same disc but just wouldn't work on my DVD player).

A_Different_Drummer While every culture is unique -- which is implicit in the very word -- Japan moreso than others has left us with a type of anime that is unmatched anywhere else.This is Japanese anime so pure and yet so subtle that, if you watch for the entire two hours, it will slowly but inevitably overwhelm you.Hiroyuki Okiura has lovingly and painstakingly done hand-drawn images which are deceivingly simple. You only have to pause the film and look closely at that you are seeing to appreciate the detail. Even the rice cooker in the kitchen is an exact match for an actual rice cooker.The intent clearly was not to move into the more action-packed stories (space, time travel, wars) but to stick with the tried and true tale of a young girl connecting with nature spirits of a sort that are, again, unique to the culture. Very similar to My Friend Totoro, with more of an emotional step-laddering Personally, I loved it Give it a chance and you may be crying by the end.That goes for the ladies too

Kong Ho Meng The fluid movements, personalities and the weird smiles from the characters of Momo e no Tegami really reminded me of my all-time favourite Ghibli 'Omohide Poro Poro'. However it is not on the same level.Storyline is simple and effective, but for a 2-hour-long movie it is overly filled with comical moments that sometimes did not fit well into the bigger picture and eventually I became frustrated. Also, the characters are just too plain simple...this was the same in Omohide Poro Poro but at that time it made sense with the setting as the main character in the latter (a city girl) was on temporary holiday in a village. It failed here as the main characters here were permanently relocated from Tokyo to a village, but they did not behave as city folks from the start (especially the daughter who should be more spoilt than portrayed) and the process of blending in seemed too premature and quick.Character development is lacking and below my expectations. In fact it seemed to me the non-human characters were more interesting though I still doubt if their portrayal is as realistic as they could have been.

8thSin "A Letter to Momo" had reportedly taken the director Okiura Hiroyuki 7 years to produce. Allow me to be the first to say, the time and effort spent on perfecting this film have not gone to waste.The art/animation in this movie is top-notch. Production I.G. with assistance from P.A. Works, Studio Pierrot, and CG by Dandelion resulted in stunning visual quality down to the tiniest details. What I especially liked, was the amount of attention paid to body language and gestures. There's so much information to be gleaned from subtleties of the visuals alone, and that's what I find most interesting about Japanese films. There was also this action sequence near the end that just blew me away. I don't want to spoil, but I have not seen such breathtaking hand-drawn animation since watching "Tonari no Totoro" in the late '80s.The story begins with the protagonist, Momo, moving to a small fictional island named Shiojima with her mother. Their new house appears to be haunted, and she feels absolutely miserable about moving out of Tokyo. Being a city girl that she is, Momo struggles to adjust to the country life. Instead of playing with the local kids, she eventually befriends three Youkai in her house - Iwa, Kawa, and Mame. Momo begins to appreciate the life on the island, and come to realize the meaning of his late father's unfinished letter to her.The character development in this movie is absolutely phenomenal. It begins with a light comedy, but through numerous adventures and mishaps on the island, we slowly learn about her past. The transition from comedy to drama is seamless, and it really makes you to care about the protagonist by the end... This film has what I call magic, something Ghibli films of late desperately lack. Although the local kids were severely underused in this movie, the three Youkai were the true supporting cast. Their chemistry with the protagonist was excellent, and the humor just comes naturally. Mame's character was especially funny in a quirky way. One can easily tell how much thought and planning has been put into this film just by watching the impeccable timing at which Mame's character was used as comedic relief every single time.Every piece of music appears to be fully orchestrated, especially the violins stood out to build tension in action scenes. Momo's voice acting by child actress and seiyuu Miyama Karen was a perfect fit, as well as the three Youkai."A Letter to Momo" is almost like a homage to Studio Ghibli's kids movies - "My Neighbor Totoro", "Spirited Away", and "Ponyo". It sticks to the tried and tested formula of supernatural spirits that only interacts with kids, and somewhat predictable plot development. However, the producers have managed to merge various elements from all those films into an exciting original story. "A Letter to Momo" is a magical crowd-pleaser with great pacing and a heartwarming story. It's a solid movie that anime and movie fans should not miss.