A Further Gesture

1997
5.8| 1h36m| NA| en| More Info
Released: 01 January 1997 Released
Producted By: Road Movies Dritte Produktionen
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Budget: 0
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Dowd, an IRA prisoner in the H-blocks, is gloomily facing his sentence, until he joins a comrade in a risky escape. Dowd begins a new life in New York, but he might as well be in prison again - until he strikes up a friendship with co-worker Tulio and gets to know his close group of Guatemalan exiles.

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Director

Robert Dornhelm

Production Companies

Road Movies Dritte Produktionen

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A Further Gesture Audience Reviews

ThiefHott Too much of everything
Holstra Boring, long, and too preachy.
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
ivanterrible007 For fans of Stephen Rea, I recommend seeing this good prison escape movie...I wish this film would be on DVD...its far underrated for an action/drama movie...its an Irish film but really deserved far more coverage here in USA...
zensixties Stephen Rea is at it again, with the IRA I mean, and the beginning prison break scene is non-stop action, which continues for the whole film. The violent breakout with his pal Richard (Brendan Gleesan) leads him to break all ties and land in NYC circa 1996. He gets a job washing dishes and works with Tulio (Alfred Molina), gets involved with his sister Monica (Rosana Pastor), and ends up helping them take out a Guatemalan death squad commander who's funded by the CIA.Well I have to say this was a refreshing alternative film, a bit of underground New York, a bit of Leftist Latino bent, a bit of the Shamrock. Really I prefer this to the Crying Game. In that we have a real good first sequence with Forest Whittaker, the best actor of the film dies in the beginning, and then it's all anti-climax. Here we get the unique mixing of an Irish-Guatemalan relationship, a sleazy NYC hotel sequence, the Midnight Cowboy type alienation of a man alone in New York, and the great Alfred Molina (We've seen him as an Iranian, a Greek,now a Guatemalan...and he's British to boot.)So overlook the flaws of the film and enjoy it for what it is. The only real flaws are that some things are disturbingly unexplained: Why was Rea a prisoner to begin with, The Guatemalan Death squad thing in the post-cold war Clinton era, and what was up with that chick in the hotel?! Finally, does Stephen Rea remind you of Bob Geldof in The Wall or what!
moovyfellow I found this to be a very good movie. It is an interesting story. All the actors are good. Stephan Rea is always good as he exemplifies such wonderful sensitivity and gravity in his characterization. Rosana Pastor is one of my favorite actresses after seeing this, so very beautiful in looks as well as spirit.
bond-jb In "The Crying Game," Neil Jordan and Stephen Rea combined to create a masterful, suspenseful thriller. However, "The Break" fails to reproduce that effect, ultimately resulting in a disappointing film. After an intriguing opening sequence, in which Rea, as an Irish terrorist (surprised?), breaks out of prison, the movie really has nowhere to go. Ronan Bennett's screenplay tries to tell the sympathetic tale of a complex man attempting to go straight. The concept is good, but the movie gets bogged down in a poor relationship and runs into a complete dead end halfway through. Of course, Rea eventually returns to his terrorist techniques, this time to help the woman kill an oppressive Spanish general, or something ridiculous like that.The movie simply doesn't have any firepower in the second half. The audience doesn't care about Rea's character. If you want to see a terrific movie with powerful performances and a fascinating story, check out "The Crying Game." Twice, instead of this once.