CheerupSilver Very Cool!!!

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

fabiog-26-358885 Technically speaking, the film seemed me like a telenovela. With time and performances OK for television, but not very elaborated for a film. Four parallel stories that look like they were there, all together, because of the director did not know whether he would again have budget to film them separately in the future. Anyway, I liked the story of Leo, Fito and his mother (great acting). The story of the boys from school, I found it hard to believe. We are in the twenty-first century (and looked like it was happening in the 70s). If at a school, a boy (or a group of boys) hit, that way, to another, for being gay, or whatever, he/them are sanctioned, and all adults defend the victim, but in this movie, everybody assume the argument of the perpetrator, as valid and, OK, the gay boy "something had done" to deserve that. The story of the poet grandfather was interesting though little credible. And the gay couple's story (the too gay styled couple), very boring and obvious, to me.

Michael Bradley It amazes me with all the talent and money in Hollywood that Gay films are generally so lousy. Except for a couple of films like GBF and The Geography Club there have been almost no good gay films in the past year or so. There are big director pretentious movies like Philadelphia or Broke Back Mountain in the past, but we need something more real and less hysterically depressing. This film is sweetly wonderful and true to life. Watching is like hearing the stories of people I have known. The well chosen actors give beautiful performances. The story telling is almost perfect. Chemistry between the leads is excellent and believable. When someone starts talking up an American gay director who makes a lot of product that isn't very good and acts like people should settle for it, I would rather read subtitles and see a movie of this caliber instead. Some of the very best Gay films are coming from outside of our borders where gifted directors are making very good films without huge budgets or overpaid actors. I have seen some excellent Gay films this year, none of them come from Hollywood.

Suradit Each of the four story plots were common themes fairly realistically presented. A very young boy gets "outted" to fellow students, school authorities and parents after he gets touchy-feely with a male cousin. A couple, one of whom is out and public about being gay, while the other is closeted and fearful of public exposure, deal with the conflicts their differences create between them. An elderly married man becomes fascinated with a straight hustler who is looking to raise money for a trip north to join his family. A long- term couple, one of whom has become disenchanted with their relationship, deal with a possible break up.The story about the young boy and his parents is pretty straight forward, but lacks any depth or any originality. The resolution really only involves the father coming to terms with his son's apparent nature, and that resolution is particularly shallow and trite.The story about the older man who (suddenly?) feels attracted to, actually obsessed about, another man he encounters in a steam room also seems a little hard to fathom as presented. One gets the impression that this is his first venture outside his marriage and his fidelity to wife and family. I suppose that's possible. The idea of someone coming out or acting upon a suppressed desire fairly late in life is a popular one in movies and television. But in this case, the one encounter appears to be a sufficient expression of that desire, followed by a return to the "traditional" wife and family as if the one experience satisfied the urge for all time. And exactly why the older man felt the need for the hustler to anonymously attend his award ceremony is a little baffling. Not saying it couldn't happen, but I never felt the rationale for it was established (the recording I watched had somewhat erratic audio and subtitles, so maybe I just missed it).The other two stories seemed more complete and realistic to me, although their resolutions were a little too happily-ever-after and neatly packaged.It is definitely worth watching, but possibly there was an attempt to achieve too much in too short a time. Maybe two or three moons would have allowed for a little more depth rather than all four moons at one go.

Red-125 The Mexican film Cuatro Lunas was shown in the U.S. with the title Four Moons (2014). It was directed by Sergio Tovar Velarde. (I'm not sure if the title refers to the fact that the movie depicts four separate stories, or takes place over four months, or both.)Sometimes, a director will interweave the stories so that characters of one story interact with characters of the other stories. Not so here. Each story is independent, but the theme of all four stories is the same--difficulties face by gay men. The stories have an age separation: one is about a pre-adolescent, one about a college-age couple, one about a couple in midlife, and one about an elderly professor who is married, with grown children, but who still seeks love from a gay hustler.I found all four stories to be realistic and very moving. I was especially impressed by the story of Joaquin, the professor, played by Alonso Echinove. He has been awarded a literary prize by a small college. It's obviously a pretty minor event, but it's the only award he's likely to receive. He pays the young hustler to attend, and the young man keeps his promise to be there.We saw this film at The Little Theatre as part of ImageOut, the always impressive Rochester LGBT Film Festival. It will work well on DVD.