Birthday

1987-03-20

Place of Birth

Tehran, Iran

Biography

Ramin Hosseinpour (Born On March 20,1987) Tehran, Iran. He Is An Iranian Movie Director,Screenwriter,Film Producer as well as an Architect ,Conceptual Artist And Composer .Iranian Director who works professionally in media and international platforms in the field of combining cinema with architecture, and rock music.He is known for the movie Sculpture (2022) ,Video Art Of Sculpture.The international media called him a Multi-Talented Artist.Ramin has won more than 57 international awards with the movie Sculpture (2022) third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),Best Film Awards (US),Gold Star Movie Awards (US),LA Sun Film Fest,International Short Film Awards (US),One-Reeler Short Film Competition (US),Global Music Awards (GMA),Accolade Competition (US),Berlin International Art Film Festival and many other events.Hosseinpour has started combining cinema with architecture and rock music professionally since 2014. He started playing the instrument as a child and was very interested in visual arts. He studied PhD architecture, cinema and music at the University. He has been working in the field architecture designer and conceptual artist for nearly 2 decades . He is a university professor, he is director, writer, producer in the cinema and is composer, singer and musician in the international Media.At first, he started making the video art Ghanimat in 2014 and he made the video art Eshtiagh in 2017.One of his best activities in the field of international art is Sculpture (2022) / Video Art of Sculpture.Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water.The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible.